Fiction Writing: Theft or Weft? single work   criticism  
Issue Details: First known date: 2005... 2005 Fiction Writing: Theft or Weft?
AustLit is a subscription service. The content and services available here are limited because you have not been recognised as a subscriber. Find out how to gain full access to AustLit

AbstractHistoryArchive Description

'What can a writer of fiction steal: a voice, a landscape, some history, a story, a name? Is barefaced best, ficto-critical more honest, slight of hand more deft? Good relationships and elaborate permissions have failed to protect the best of writers. Preparing for hostilities can warp a narrative. ... This paper sets the rights and privacies of others, against the quirks of imagination, and the trust writers invest in themselves in order to create their work.' (Author's abstract)

The author discusses the background to her work in progress, a novel about Irish settlers linked to family history and a play by Edward Geoghegan, The Hibernian Father which itself is linked to an Irish play The Warden of Galway based on a 15th century story.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 19 Jul 2005 11:32:12 Fiction Writing: Theft or Weft?AustLit TEXT : The Journal of the Australian Association of Writing Programs
    Powered by Trove