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Notes
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Dedication: In memoriam Paul Freadman 1916-1993
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Communicative Clashes in Australian Culture and Autobiography
2006
single work
criticism
— Appears in: Auto/Biography , December vol. 14 no. 4 2006; (p. 285-301) 'Some life-writing critics have pointed to a paradox in Australian autobiography: that of memoir writers paying tribute to their subjects in ways which those subjects would not understand or agree with. In this article, I focus on one facet of this paradox, looking at how various styles of communication are represented in autobiographies. What happens when a highly articulate autobiographer attempts to represent the communicative style of a subject who does not share or value the autobiographer's discursive style? This article surveys a variety of strategies which autobiographers have used, some of which are open to the possibility of valuing a minimalist style of communication, while others condemn it as inarticulate and inexpressive. These varying attitudes connect to a broader cultural debate in Australia. In this debate, an older rural style of communication, which values minimal verbal communication and emotional inexpressivity, is pitted against a more recent urban-based style of communication, which values emotional expressivity and expansive commentary. Intriguingly, this rural speech style (seemingly the antithesis of the autobiographer's art) is represented and valued as an art form by some Australian autobiographers.' -- Publication abstract. -
Untitled
2004
single work
review
— Appears in: Journal of Australian Studies , no. 82 2004; (p. 135-136)
— Review of Shadow of Doubt : My Father and Myself 2003 single work autobiography -
Untitled
2004
single work
review
— Appears in: JAS Review of Books , July no. 25 2004;
— Review of Shadow of Doubt : My Father and Myself 2003 single work autobiography -
Introspective Father-Son Study
2004
single work
review
— Appears in: The Australian Jewish News , 6 February vol. 70 no. 19 2004; (p. 20)
— Review of Shadow of Doubt : My Father and Myself 2003 single work autobiography -
Wrestling with Shadows Cast by a Father
2004
single work
review
— Appears in: The Age , 10 January 2004; (p. 4)
— Review of Shadow of Doubt : My Father and Myself 2003 single work autobiography
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The Disappointed Man
2003-2004
single work
review
— Appears in: Australian Book Review , December-January no. 257 2003-2004; (p. 46-47)
— Review of Shadow of Doubt : My Father and Myself 2003 single work autobiography -
Wrestling with Shadows Cast by a Father
2004
single work
review
— Appears in: The Age , 10 January 2004; (p. 4)
— Review of Shadow of Doubt : My Father and Myself 2003 single work autobiography -
Introspective Father-Son Study
2004
single work
review
— Appears in: The Australian Jewish News , 6 February vol. 70 no. 19 2004; (p. 20)
— Review of Shadow of Doubt : My Father and Myself 2003 single work autobiography -
Untitled
2004
single work
review
— Appears in: JAS Review of Books , July no. 25 2004;
— Review of Shadow of Doubt : My Father and Myself 2003 single work autobiography -
Untitled
2004
single work
review
— Appears in: Journal of Australian Studies , no. 82 2004; (p. 135-136)
— Review of Shadow of Doubt : My Father and Myself 2003 single work autobiography -
Communicative Clashes in Australian Culture and Autobiography
2006
single work
criticism
— Appears in: Auto/Biography , December vol. 14 no. 4 2006; (p. 285-301) 'Some life-writing critics have pointed to a paradox in Australian autobiography: that of memoir writers paying tribute to their subjects in ways which those subjects would not understand or agree with. In this article, I focus on one facet of this paradox, looking at how various styles of communication are represented in autobiographies. What happens when a highly articulate autobiographer attempts to represent the communicative style of a subject who does not share or value the autobiographer's discursive style? This article surveys a variety of strategies which autobiographers have used, some of which are open to the possibility of valuing a minimalist style of communication, while others condemn it as inarticulate and inexpressive. These varying attitudes connect to a broader cultural debate in Australia. In this debate, an older rural style of communication, which values minimal verbal communication and emotional inexpressivity, is pitted against a more recent urban-based style of communication, which values emotional expressivity and expansive commentary. Intriguingly, this rural speech style (seemingly the antithesis of the autobiographer's art) is represented and valued as an art form by some Australian autobiographers.' -- Publication abstract.
Last amended 1 Jun 2005 19:22:22
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