AustLit
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Is part of
Corinna Chapman
2004
series - author
novel
(number
1
in series)
Issue Details:
First known date:
2004...
2004
Earthly Delights
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AbstractHistoryArchive Description
'Baking is an alchemical process for Corinna Chapman. At four am she starts work at Earthly Delights, her bakery in Calico Alley.
'But one morning Corinna receives a threatening note saying 'The wages of sin is death' and finds a syringe in her cat's paw. A blue-faced junkie has collapsed in the dark alley and a mysterious man with beautiful eyes appears with a plan for Corinna and her bread. Then it is Goths, dead drug addicts, witchcraft, a homeless boy and a missing girl and it seems she will never get those muffins cooked in time.
'With flair, chutzpah and a talent for kneading, Corinna Chapman will find out who exactly is threatening her life and bake some beautiful bread.'
Source: Publisher's blurb.
Notes
-
Dedication: This book is for the remarkable Sarah-Jane Reeh
Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Sound recording.
- Braille.
- Dyslexic edition.
- Large print.
Works about this Work
-
Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii) -
Australian Crime Fiction
2004-2005
single work
criticism
— Appears in: Mystery Readers Journal , Winter vol. 20 no. 4 2004-2005; (p. 3-5) -
Hint of a Muffin-Mixing Sleuth's Delight
2004
single work
review
— Appears in: The Courier-Mail , 21 February 2004; (p. 7)
— Review of Earthly Delights 2004 single work novel -
In the Calaboose
2004
single work
review
— Appears in: Australian Book Review , May no. 261 2004; (p. 47-48)
— Review of Blindside 2004 single work novel ; Degrees of Connection 2003 single work novel ; Earthly Delights 2004 single work novel -
Baked to Perfection
2004
single work
review
— Appears in: Limelight , April 2004; (p. 47)
— Review of Earthly Delights 2004 single work novel
-
Crime Fiction
2004
single work
review
— Appears in: Canberra Sunday Times , 18 January 2004; (p. 18)
— Review of Earthly Delights 2004 single work novel -
Street-Smart Sleuth
2004
single work
review
— Appears in: The Advertiser , 17 January 2004; (p. 11)
— Review of Earthly Delights 2004 single work novel -
Fiction
2004
single work
review
— Appears in: The Age , 17 January 2004; (p. 5)
— Review of Grim Tuesday 2004 single work children's fiction ; Earthly Delights 2004 single work novel -
A Very Peculiar Underworld
2004
single work
review
— Appears in: The West Australian , 5 January 2004; (p. 8)
— Review of Earthly Delights 2004 single work novel -
Let This Be a Warning
2004
single work
review
— Appears in: The Sunday Age , 15 February 2004; (p. 24-25)
— Review of Blindside 2004 single work novel ; Earthly Delights 2004 single work novel -
Australian Crime Fiction
2004-2005
single work
criticism
— Appears in: Mystery Readers Journal , Winter vol. 20 no. 4 2004-2005; (p. 3-5) -
Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today
2012
single work
criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
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