AustLit
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Is part of
Cassidy Blair
2003
series - author
novel
Issue Details:
First known date:
2003...
2003
The Vodka Dialogue
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Notes
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Featured by the BIG Book Club, an initiative supported by The Advertiser in partnership with Arts SA, The Australia Council for the Arts, Channel 7 and FIVEAA to promote a love of reading, discussion and literature, September 2003.
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Epigraph: If women dressed for men, the clothes stores wouldn't sell much - just the occasional sun visor : Groucho Marx
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Book one of the Cassidy Blair Series.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Crime Scenes : The Importance of Place in Australian Crime Fiction
2010
single work
criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 204-213) 'There are eight million stories about crime fiction. And this is one of them. There are two main ways in which writers use place in crime fiction. The first way is to use place to help create a certain mood and atmosphere. The second way is to use the geographical or physical features of a place imaginatively as a plot device. Sometimes the journeys that are made by characters in crime fiction serve to remind us as readers of these two major devices. Although historically a lot of Australian crime fiction has not focused on place in terms of setting, this is changing as Australia continues to change. (Author's introduction, 204)
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Criminal Intent
2003
single work
column
— Appears in: The Advertiser , 20 September 2003; (p. 3) -
Suburban Stealth and Tipple
2003
single work
review
— Appears in: The Sydney Morning Herald , 13-14 September 2003; (p. 16)
— Review of The Vodka Dialogue 2003 single work novel -
Latest Twist in Girls-Own Genre
2003
single work
column
— Appears in: The Advertiser , 6 September 2003; (p. 38) -
Women Establish Credentials for Long Lives in Crime
2003
single work
review
— Appears in: The Sunday Age , 31 August 2003; (p. 10)
— Review of The Vodka Dialogue 2003 single work novel ; Who Killed Camilla? 2003 single work novel
-
Crime Cocktail Short on Spirits
2003
single work
review
— Appears in: The Weekend Australian , 23-24 August 2003; (p. 10-11)
— Review of The Vodka Dialogue 2003 single work novel -
Women Establish Credentials for Long Lives in Crime
2003
single work
review
— Appears in: The Sunday Age , 31 August 2003; (p. 10)
— Review of The Vodka Dialogue 2003 single work novel ; Who Killed Camilla? 2003 single work novel -
Suburban Stealth and Tipple
2003
single work
review
— Appears in: The Sydney Morning Herald , 13-14 September 2003; (p. 16)
— Review of The Vodka Dialogue 2003 single work novel -
Latest Twist in Girls-Own Genre
2003
single work
column
— Appears in: The Advertiser , 6 September 2003; (p. 38) -
Criminal Intent
2003
single work
column
— Appears in: The Advertiser , 20 September 2003; (p. 3) -
Crime Scenes : The Importance of Place in Australian Crime Fiction
2010
single work
criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 204-213) 'There are eight million stories about crime fiction. And this is one of them. There are two main ways in which writers use place in crime fiction. The first way is to use place to help create a certain mood and atmosphere. The second way is to use the geographical or physical features of a place imaginatively as a plot device. Sometimes the journeys that are made by characters in crime fiction serve to remind us as readers of these two major devices. Although historically a lot of Australian crime fiction has not focused on place in terms of setting, this is changing as Australia continues to change. (Author's introduction, 204)
Awards
Last amended 10 Oct 2018 11:47:37
Settings:
- Adelaide, South Australia,
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