AustLit logo
Issue Details: First known date: 2001... 2001 The Cosmopolitan Pastoral : The Paddock, the Novel, and the Nation
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

Using Murray Bail's Eucalyptus and Nicholas Jose's The Custodians Robert Beardwood shows how Australian writing reflects concerns of claims to place and tensions between longing and belonging, Australian place and Australian identity at the end of the 20th century.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

The Long Hand of Murray Bail : Travel and Writing Paul Sharrad , 2010 single work criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 25-36)
'In this paper Paul Sharrad suggests that Murray Bail 'could not have produced most of his work without journeying abroad, and that his book of travel observations, Longhand, offers insights into one particular kind of 'journeying' as well as his reliance on material picked up along his journeying out from and back to Australia. While he began serious writing around the age of 19 in his native South Australia, and composed some other stories during his years in Melbourne working in advertising, Bail did not really get going as a published writer until he had been overseas for several years, first in India and then England and Europe. His jottings in Longhand: a Writer's Notebook, show on the one hand, how his sense of being a writer affects his recording of the travel experience, and secondly, how much his travels have had an impact on his fiction.'' (25-26)
The Long Hand of Murray Bail : Travel and Writing Paul Sharrad , 2010 single work criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 25-36)
'In this paper Paul Sharrad suggests that Murray Bail 'could not have produced most of his work without journeying abroad, and that his book of travel observations, Longhand, offers insights into one particular kind of 'journeying' as well as his reliance on material picked up along his journeying out from and back to Australia. While he began serious writing around the age of 19 in his native South Australia, and composed some other stories during his years in Melbourne working in advertising, Bail did not really get going as a published writer until he had been overseas for several years, first in India and then England and Europe. His jottings in Longhand: a Writer's Notebook, show on the one hand, how his sense of being a writer affects his recording of the travel experience, and secondly, how much his travels have had an impact on his fiction.'' (25-26)
Last amended 14 Jan 2003 09:14:17
[10]-20 The Cosmopolitan Pastoral : The Paddock, the Novel, and the Nationsmall AustLit logo
Subjects:
Newspapers:
    Powered by Trove
    X