AustLit logo

AustLit

y separately published work icon Dhidgerry Dhoo : A Tale Woven Around Fact single work   novel   war literature  
Issue Details: First known date: 1947... 1947 Dhidgerry Dhoo : A Tale Woven Around Fact
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

Looking back to a time when the Aborigines first came to the Australian continent, the narrator moves forward to the birth of the brave Aborigine, Dhidgerry Dhoo, and follows him as he happily grows up, marries, and has children. Dhidgerry Dhoo's life, however, takes a different turn with the Japanese invasion of Darwin in 1942.

Notes

  • Dedication: To my Mother

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Rectifying 'the Great Australian Silence'? Creative Representations of Australian Indigenous Second World War Service Noah Riseman , 2012 single work criticism
— Appears in: Australian Aboriginal Studies , no. 1 2012; (p. 35-48)

'Until the publication of Robert Hall's landmark book The Black Diggers in 1989, Aboriginal and Torres Strait Islander people were essentially 'written out' of Australia's Second World War history. Still, more than 20 years since the publication of Hall's book, Australian Indigenous participation in the war effort as servicemen and women, labourers and scouts, in wartime industries and in various other capacities, continues to be on the periphery of Australia's war history. The Second World War remains part of what WEH Stanner referred to in 1969 as 'the Great Australian Silence' of Indigenous history. Notwithstanding the lack of significant academic histories of Indigenous military history, there have been a few creative depictions of Aboriginal participation in the Second World War. Both Indigenous and non-Indigenous people have used creative mediums, such as poetry, short fiction, film, musical theatre and music, to portray Aboriginal Second World War service. This paper examines these creative cultural representations and how they position Australian Indigenous war service within a wider narrative of the Second World War and Indigenous history. Though the portrayals of Aboriginal service vary, the majority of creative works present the Second World War as central to Australian Indigenous history. Moreover, the creative representations depict Indigenous servicemen's hopes for a better life after the war, only to be crushed when they returned to ongoing discrimination. Even so, the creative depictions use the Second World War as an early marker of reconciliation in Australia, portraying the conflict as a time when ideals of liberty and equality overruled prejudice to unite Australia. Such a message continues to resonate, as creative representations of the Second World War contribute to contemporary understandings of Aboriginal and Torres Strait Islander citizenship and reconciliation.' (Publication abstract)

Rectifying 'the Great Australian Silence'? Creative Representations of Australian Indigenous Second World War Service Noah Riseman , 2012 single work criticism
— Appears in: Australian Aboriginal Studies , no. 1 2012; (p. 35-48)

'Until the publication of Robert Hall's landmark book The Black Diggers in 1989, Aboriginal and Torres Strait Islander people were essentially 'written out' of Australia's Second World War history. Still, more than 20 years since the publication of Hall's book, Australian Indigenous participation in the war effort as servicemen and women, labourers and scouts, in wartime industries and in various other capacities, continues to be on the periphery of Australia's war history. The Second World War remains part of what WEH Stanner referred to in 1969 as 'the Great Australian Silence' of Indigenous history. Notwithstanding the lack of significant academic histories of Indigenous military history, there have been a few creative depictions of Aboriginal participation in the Second World War. Both Indigenous and non-Indigenous people have used creative mediums, such as poetry, short fiction, film, musical theatre and music, to portray Aboriginal Second World War service. This paper examines these creative cultural representations and how they position Australian Indigenous war service within a wider narrative of the Second World War and Indigenous history. Though the portrayals of Aboriginal service vary, the majority of creative works present the Second World War as central to Australian Indigenous history. Moreover, the creative representations depict Indigenous servicemen's hopes for a better life after the war, only to be crushed when they returned to ongoing discrimination. Even so, the creative depictions use the Second World War as an early marker of reconciliation in Australia, portraying the conflict as a time when ideals of liberty and equality overruled prejudice to unite Australia. Such a message continues to resonate, as creative representations of the Second World War contribute to contemporary understandings of Aboriginal and Torres Strait Islander citizenship and reconciliation.' (Publication abstract)

Last amended 21 Apr 2009 12:17:14
X