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Discusses the representation of feminist activism in some contemporary women's autobiographies, focussing on Susan Ryan's Catching the Waves (1999), Wendy McCarthy's Don't Fence Me In (2000), and Anne Summer's Ducks on the Pond (1999). The article concludes with a ficto-critical piece of experimental autobiography, a 'brief, episodic, fragmentary autograph of soundtracks and wordtracks'.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 27 May 2002 11:52:29
178-191
The Tidiest Revolution : Regulative Feminist Autobiography and the De-Facement of the Australian Women's Movement
Australian Literary Studies
Australian Literary Studies
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