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Is part of
Dramaturgies : Texts, Cultures and Performances
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Issue Details:
First known date:
2001...
2001
Mapping Cultural Identity in Contemporary Australian Performance
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AbstractHistoryArchive Description
Focuses on a critical reading of four key Australian performance pieces to demonstrate ways in which cultural identity can be represented and interpreted in performance. Grehan takes as her point of departure questions of place, belonging and cultural identity to formulate an analytical framework ('mapping') for contemporary performance. Drawing on theoretical ideas of Gilles Deleuze and Felix Guattari, Rosi Braidotti and Edward Casey, she develops her own theory of mapping as an analytical tool which can facilitate the opening of multiple layers of meaning within contemporary performance.
Notes
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The book emerged from the author's PhD research. Some of the material appeared in earlier form in other publications.
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No. 2 of series.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Untitled
2003
single work
review
— Appears in: Australasian Drama Studies , April no. 42 2003; (p. 187-189)
— Review of Mapping Cultural Identity in Contemporary Australian Performance 2001 single work criticism
-
Untitled
2003
single work
review
— Appears in: Australasian Drama Studies , April no. 42 2003; (p. 187-189)
— Review of Mapping Cultural Identity in Contemporary Australian Performance 2001 single work criticism
Last amended 12 Dec 2013 14:51:55
Subjects:
- Tiger Country 1995 single work drama
- Ningali 1994 single work drama
- The Seven Stages of Grieving 1995 single work drama
- The Geography of Haunted Places 1994 single work drama
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