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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Post-feminist Physical Theatre : The Abject and the Split Subject in My Vicious Angel by Christine Evans
2001
single work
criticism
— Appears in: Australasian Drama Studies , April no. 38 2001; (p. 44-57) Examines the successful production of the play which 'reveals the mode of feminist politics ... acceptable for high-profile theatre companies' (44). Although the play 'provides a generally well-received alternative to the phallocentric formula of the singular male protagonist within the conventional linear narrative', the author argues that perhaps Evans 'does not go far enough in critiquing patriarchal constructions' (55).
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Post-feminist Physical Theatre : The Abject and the Split Subject in My Vicious Angel by Christine Evans
2001
single work
criticism
— Appears in: Australasian Drama Studies , April no. 38 2001; (p. 44-57) Examines the successful production of the play which 'reveals the mode of feminist politics ... acceptable for high-profile theatre companies' (44). Although the play 'provides a generally well-received alternative to the phallocentric formula of the singular male protagonist within the conventional linear narrative', the author argues that perhaps Evans 'does not go far enough in critiquing patriarchal constructions' (55).
Last amended 29 Aug 2011 12:08:09
