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Adaptations
-
form
y
Fields of Fire
Nine Network
(publisher),
( dir. Robert Marchand
)
Sydney
Australia
:
Palm Beach Pictures
Nine Network
,
1987
Z1691421
1987
series - publisher
film/TV
The first part of a trilogy that dramatises the recurring 'new chum' theme in Australian storytelling and also touches on racism, wartime propaganda, and the mateship and community that exists in a small town dependent on one industry to survive. The narrative begins in the late thirties, with the arrival of a young Englishman in the Queensland sugar cane town of Silkwood. When he is not accepted by the Australian cane cutters, the Italian workers take him under their wing. As the story progresses, he has several love affairs, goes to war, and eventually returns to the canefields.
Notes
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Produced as a television mini-series in 1987 as "Fields of Fire".
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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The Legend of the ‘Gentlemen of the Flashing Blade’ : The Canecutter in the Australian Imagination
2022
single work
criticism
— Appears in: The Australasian Journal of Popular Culture , vol. 11 no. 1-2 2022; (p. 45-61)'The ‘gentlemen of the flashing blade’ laboured in an occupation that no longer exists in Australia: canecutting. It was a hard job done by hard men, and its iconic figure – the canecutter – survives as a Queensland legend, so extensively romanticized in the popular culture of the time as to constitute a subgenre characterized by subject matter and motifs particular to the pre-mechanization sugar country culture. Yet, it may seem like the only canecutters immortalized in the arts are Summer of the Seventeenth Doll’s Roo and Barney. To show the breadth and diversity of this subgenre, and the legend of the canecutter and sugar country culture, this article reviews a selection of novels, memoirs, plays, short stories, cartoons, verse, song, film, television, radio and children’s books. These works address the racial, cultural and industrial politics of the sugar industry and its influence on the economic and social development of Queensland. The parts played by the nineteenth-century communities of indentured South Sea Islanders and the European immigrants who followed are represented along with those of the itinerant Anglos. These works depict, and celebrate, a colourful, often brutal, part of Queensland’s past and an Australian icon comparable with the swaggie or the shearer.' (Publication abstract)
-
The Legend of the ‘Gentlemen of the Flashing Blade’ : The Canecutter in the Australian Imagination
2022
single work
criticism
— Appears in: The Australasian Journal of Popular Culture , vol. 11 no. 1-2 2022; (p. 45-61)'The ‘gentlemen of the flashing blade’ laboured in an occupation that no longer exists in Australia: canecutting. It was a hard job done by hard men, and its iconic figure – the canecutter – survives as a Queensland legend, so extensively romanticized in the popular culture of the time as to constitute a subgenre characterized by subject matter and motifs particular to the pre-mechanization sugar country culture. Yet, it may seem like the only canecutters immortalized in the arts are Summer of the Seventeenth Doll’s Roo and Barney. To show the breadth and diversity of this subgenre, and the legend of the canecutter and sugar country culture, this article reviews a selection of novels, memoirs, plays, short stories, cartoons, verse, song, film, television, radio and children’s books. These works address the racial, cultural and industrial politics of the sugar industry and its influence on the economic and social development of Queensland. The parts played by the nineteenth-century communities of indentured South Sea Islanders and the European immigrants who followed are represented along with those of the itinerant Anglos. These works depict, and celebrate, a colourful, often brutal, part of Queensland’s past and an Australian icon comparable with the swaggie or the shearer.' (Publication abstract)
