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Affiliation Notes
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Nineteenth-Century Travel Writing
Mrs. Edward Millet (Janet, 1821-1904), was a sketcher and watercolorist. Wife of Chaplain Edward Millett, they moved to Western Australia in late 1863, where Edward was appointed Incumbent of Holy Trinity Church of England, York, approximate 100 kilometers east of Perth. Millett’s work was based on their five years in Western Australia, and she prefaced the work by explaining that little was known of this particular colony in England due to the lack of guide books and histories, particularly in comparison to the plentitude of such work that focussed on other Australian colonies. As such, emigrants had been disappointed due to their ignorance of Western Australia, as their hopes rarely attained fruition within the colony. Millet stated that her work was not a guide or history of the colony, rather it is sketched of her experiences. As the title suggests, An Australian Parsonage; or, The Settler and the Savage in Western Australia provided a comparison between colonists and Aboriginal people in Western Australia, describing domestic and station life, as well as their travel to and within the colony of Western Australia. Written in engaging and personal manner, Millet also described the bush, emigrants within the colony, climate, Aboriginal populations and specifically her relationship with her Aboriginal servants, and the colony in general.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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'My Head Cook...Appeared in an Evening Dress of Black Net and Silver' : (Re)Viewing Colonial Western Australians through Travellers' Imaginings
2011
single work
criticism
— Appears in: Melbourne Historical Journal , no. 39 2011; (p. 175-196) 'Did travel writers who observed the white European population in Western Australia in the latter half of the nineteenth century feel that they 'stood [a]mong them but not of them', and to what extent were their ideas preconceived? This article examines how contemporary thought and ideology influenced travellers' attitudes towards white Western Australian society between 1850 and 1914. In witting about the colonists, travellers' observations shaped, and were shaped by, the assumptions, ambitions, and ideologies of the institutions they represented, and those already existing in Western Australian society.' (p. 175) -
Deconstructing Utopia : The Blind Metaphors of Colonial Painters and Diarists
1987
single work
criticism
biography
— Appears in: The Writer's Sense of the Past : Essays on Southeast Asian and Australasian Literature 1987; (p. 133-151) -
Another Planet : Landscape as Metaphor in Western Australian Theatre
1985
single work
criticism
— Appears in: European Relations : Essays for Helen Watson-Williams 1985; (p. 67-79)
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'My Head Cook...Appeared in an Evening Dress of Black Net and Silver' : (Re)Viewing Colonial Western Australians through Travellers' Imaginings
2011
single work
criticism
— Appears in: Melbourne Historical Journal , no. 39 2011; (p. 175-196) 'Did travel writers who observed the white European population in Western Australia in the latter half of the nineteenth century feel that they 'stood [a]mong them but not of them', and to what extent were their ideas preconceived? This article examines how contemporary thought and ideology influenced travellers' attitudes towards white Western Australian society between 1850 and 1914. In witting about the colonists, travellers' observations shaped, and were shaped by, the assumptions, ambitions, and ideologies of the institutions they represented, and those already existing in Western Australian society.' (p. 175) -
Deconstructing Utopia : The Blind Metaphors of Colonial Painters and Diarists
1987
single work
criticism
biography
— Appears in: The Writer's Sense of the Past : Essays on Southeast Asian and Australasian Literature 1987; (p. 133-151) -
Another Planet : Landscape as Metaphor in Western Australian Theatre
1985
single work
criticism
— Appears in: European Relations : Essays for Helen Watson-Williams 1985; (p. 67-79)
- Western Australia,