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Cutting Green Hay : Friendships, Movements and Cultural Conflicts in Australia's Great Decades
single work
Issue Details:
First known date:
1983...
1983
Cutting Green Hay : Friendships, Movements and Cultural Conflicts in Australia's Great Decades
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Notes
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Epigraph: For Solidarity.
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Sound recording available.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Vincent Buckley and His Land of No Fathers : The Irish Shadow on His Work
2012
single work
criticism
— Appears in: The Shadow of the Precursor 2012; (p. 38-47) ‘Vincent Buckley maintained that as an Irish Australian he had grown up as a member of a persecuted minority. He also claimed that, although this minority was crucial in shaping the Australian identity, its members had failed to keep an imaginative connection with their homeland. Much of his work can be read as an attempt to rediscover this link, but his understanding of the Irish element changes over his career. In his earlier work, his concern is with the Irish tradition of WB Yeats and James Joyce, and with his own forefathers as people dispossessed by the heartless English. Later he becomes involved with the fate of the nationalists in Northern Ireland. This leads him both to take direct political action in Australia and to write some of his most significant poems. These show the influence of Seamus Heaney or John Kinsella rather than Yeats, but also bring to bear a distinctly Australian sensibility.’ (38) -
In Search of the Celtic Sunrise
2010
single work
criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 37-46) 'The title of this paper caused me a lot of trouble. I thought the one I settled on was brilliant, but unfortunately, when I came to write the paper to go with it, I found difficulty in making a match. For a while it seemed that my search was leading only to a Celtic sunset. However,it did give me a reason to traipse around Wales and Ireland and Scotland and the Canadian Maritimes, even if in Ireland and Scotland the sun I was seeking neither rose nor set, but remained resolutely hidden beneath mists and clouds. I gathered a fair amount of history on my journeying, and the full version of this paper uses this to provide a context for the cultural differences I located in the poetry. There is, however, no time to go into this analysis of the contrasting histories of settlement, and of the distinct economic, political and religious circumstances in the countries of origin. Instead I will ask that you take those matters as given while I concentrate mainly on poets whose work demonstrates the cultural differences that arose from these circumstances.' (Author's introduction, 37)
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‘[W]ry-Necked Memory' : The Matter of Ireland in Cutting Green Hay and Memory Ireland, and the Poems of The Pattern
2010
single work
criticism
— Appears in: JASAL , Special Issue 2010;'This paper examines the matter of Ireland in Buckley's two memoirs, Cutting Green Hay (1983) and Memory Ireland (1985), and the poems of The Pattern (1979), in order to revisit critically the ways in which he constructs himself as a diasporic Irish-Australian, a participant in the most remote Gaeltacht. It raises questions of victimhood, of similar and different experience of being at the mercy of the land, and of his re-engineering of the place of the political in poetry. It argues that Buckley's agonized positioning as Ireland's 'guest/foreigner/son' was a project that was doomed by its utopianism, and that, obsessed as he became with Ireland, the angst within had little to do with 'the Ireland within' or without. The paper suggests that the poet's slow and unacknowledged abandonment in his Irish period of a key tenet of modernism, its distrust of propaganda and the political, is in itself a new formation which had some continuity with the radicalism of his thinking during the formative years of the revolutionary catholic apostolate he led both at the University of Melbourne and nationally. It also points to the deployment of an ancient medieval Irish trope, that of the ocean (rather than a landmass) linking a dispersed community, as one of the ways the poetry effects a resolution of the issues of being 'Irish' in a remote country.' (Source : http://www.nla.gov.au/openpublish/index.php/jasal/article/view/1409) -
Vincent Buckley: Aspects of the Imagination
2006
single work
criticism
— Appears in: Australian Book Review , June-July no. 282 2006; (p. 33-38) -
Books Read Since the End of November 1994
1995
single work
review
— Appears in: Scratch Pad 12 , August 1995; (p. 1-3)
— Review of Crosskill : A Wyatt Novel 1994 single work novel ; A Window in Mrs X's Place : Selected Short Stories 1986 selected work short story ; Cutting Green Hay : Friendships, Movements and Cultural Conflicts in Australia's Great Decades 1983 single work autobiography ; The Pure Land 1974 single work novel ; Collected Poems 1942-1985 1994 selected work poetry ; Love Lies Bleeding : A Crimes For a Summer Christmas Anthology 1994 anthology short story ; Australia's First Fabians : Middle-Class Radicals, Labour Activists and the Early Labour Movement ; Foreword by Gough Whitlam 1993 single work biography ; Our Lady of Chernobyl 1995 selected work short story ; Reading by Starlight: Postmodern Science Fiction 1995 single work criticism ; Mirrorsun Rising 1995 single work novel
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Books Read Since the End of November 1994
1995
single work
review
— Appears in: Scratch Pad 12 , August 1995; (p. 1-3)
— Review of Crosskill : A Wyatt Novel 1994 single work novel ; A Window in Mrs X's Place : Selected Short Stories 1986 selected work short story ; Cutting Green Hay : Friendships, Movements and Cultural Conflicts in Australia's Great Decades 1983 single work autobiography ; The Pure Land 1974 single work novel ; Collected Poems 1942-1985 1994 selected work poetry ; Love Lies Bleeding : A Crimes For a Summer Christmas Anthology 1994 anthology short story ; Australia's First Fabians : Middle-Class Radicals, Labour Activists and the Early Labour Movement ; Foreword by Gough Whitlam 1993 single work biography ; Our Lady of Chernobyl 1995 selected work short story ; Reading by Starlight: Postmodern Science Fiction 1995 single work criticism ; Mirrorsun Rising 1995 single work novel -
Buckley's Prospects
1983
single work
review
— Appears in: Meanjin , Spring vol. 42 no. 3 1983; (p. 349-357)
— Review of Cutting Green Hay : Friendships, Movements and Cultural Conflicts in Australia's Great Decades 1983 single work autobiography -
Buckley's Anamnesis
1983
single work
review
— Appears in: Scripsi , Spring vol. 2 no. 2-3 1983; (p. 133-139)
— Review of Cutting Green Hay : Friendships, Movements and Cultural Conflicts in Australia's Great Decades 1983 single work autobiography -
Exploration and Celebration
1983
single work
review
— Appears in: Overland , August no. 92 1983; (p. 55-57)
— Review of Cutting Green Hay : Friendships, Movements and Cultural Conflicts in Australia's Great Decades 1983 single work autobiography -
The Tribal Gallery First Visited
1983
single work
review
— Appears in: The Bulletin , 12 July vol. 103 no. 5373 1983; (p. 93-94)
— Review of Cutting Green Hay : Friendships, Movements and Cultural Conflicts in Australia's Great Decades 1983 single work autobiography -
Vincent Buckley: Aspects of the Imagination
2006
single work
criticism
— Appears in: Australian Book Review , June-July no. 282 2006; (p. 33-38) -
‘[W]ry-Necked Memory' : The Matter of Ireland in Cutting Green Hay and Memory Ireland, and the Poems of The Pattern
2010
single work
criticism
— Appears in: JASAL , Special Issue 2010;'This paper examines the matter of Ireland in Buckley's two memoirs, Cutting Green Hay (1983) and Memory Ireland (1985), and the poems of The Pattern (1979), in order to revisit critically the ways in which he constructs himself as a diasporic Irish-Australian, a participant in the most remote Gaeltacht. It raises questions of victimhood, of similar and different experience of being at the mercy of the land, and of his re-engineering of the place of the political in poetry. It argues that Buckley's agonized positioning as Ireland's 'guest/foreigner/son' was a project that was doomed by its utopianism, and that, obsessed as he became with Ireland, the angst within had little to do with 'the Ireland within' or without. The paper suggests that the poet's slow and unacknowledged abandonment in his Irish period of a key tenet of modernism, its distrust of propaganda and the political, is in itself a new formation which had some continuity with the radicalism of his thinking during the formative years of the revolutionary catholic apostolate he led both at the University of Melbourne and nationally. It also points to the deployment of an ancient medieval Irish trope, that of the ocean (rather than a landmass) linking a dispersed community, as one of the ways the poetry effects a resolution of the issues of being 'Irish' in a remote country.' (Source : http://www.nla.gov.au/openpublish/index.php/jasal/article/view/1409) -
In Search of the Celtic Sunrise
2010
single work
criticism
— Appears in: Journeying and Journalling : Creative and Critical Meditations on Travel Writing 2010; (p. 37-46) 'The title of this paper caused me a lot of trouble. I thought the one I settled on was brilliant, but unfortunately, when I came to write the paper to go with it, I found difficulty in making a match. For a while it seemed that my search was leading only to a Celtic sunset. However,it did give me a reason to traipse around Wales and Ireland and Scotland and the Canadian Maritimes, even if in Ireland and Scotland the sun I was seeking neither rose nor set, but remained resolutely hidden beneath mists and clouds. I gathered a fair amount of history on my journeying, and the full version of this paper uses this to provide a context for the cultural differences I located in the poetry. There is, however, no time to go into this analysis of the contrasting histories of settlement, and of the distinct economic, political and religious circumstances in the countries of origin. Instead I will ask that you take those matters as given while I concentrate mainly on poets whose work demonstrates the cultural differences that arose from these circumstances.' (Author's introduction, 37)
-
Vincent Buckley and His Land of No Fathers : The Irish Shadow on His Work
2012
single work
criticism
— Appears in: The Shadow of the Precursor 2012; (p. 38-47) ‘Vincent Buckley maintained that as an Irish Australian he had grown up as a member of a persecuted minority. He also claimed that, although this minority was crucial in shaping the Australian identity, its members had failed to keep an imaginative connection with their homeland. Much of his work can be read as an attempt to rediscover this link, but his understanding of the Irish element changes over his career. In his earlier work, his concern is with the Irish tradition of WB Yeats and James Joyce, and with his own forefathers as people dispossessed by the heartless English. Later he becomes involved with the fate of the nationalists in Northern Ireland. This leads him both to take direct political action in Australia and to write some of his most significant poems. These show the influence of Seamus Heaney or John Kinsella rather than Yeats, but also bring to bear a distinctly Australian sensibility.’ (38) -
Vincent Buckley : Tracing Personality
1991
single work
criticism
biography
— Appears in: Quadrant , July-August vol. 35 no. 7-8 1991; (p. 32-43) Australian Literature Today 1993; (p. 158-178)
Last amended 20 Jan 2005 14:16:18