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Notes
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Dedication: For my mother/Who knows a lot about children/But not so much about Blacks, For my sisters/Della and Lee/Who didn't let me grow up lonely.
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Epigraph: The supreme expression of love is/a total commitment to freedom;//the supreme expression of freedom is a total commitment to love.
Contents
- Requiemi"Neatly pressed / dressed / crowds /", single work poetry (p. 15)
- On Visiting Prisonersi"Mr. Warden-in-Charge /", single work poetry (p. 16)
- Racheli"Named from the Bible /", single work poetry (p. 17)
- Monopolyi"The trip to England is a mighty success,", single work poetry (p. 18-21)
- Fallin'i"The Sister has been raped, they said.", single work poetry (p. 22)
- Lament for the Strikersi"I read /", single work poetry (p. 23-24)
- One Dayi"Moving along Main St. /", single work poetry (p. 25)
- Cyclei"The revolution is conceived", single work poetry (p. 26-27)
- Final Counti"The children are dying /", single work poetry (p. 28)
- Love Poems : Ii"I", single work poetry (p. 31)
- Love Poems : IIi"Waited by the phone for three whole centuries,", single work poetry (p. 32)
- Of Insecurityi"Every small while", single work poetry (p. 33)
- That Mani"When that man comes home /", single work poetry (p. 34-35)
- Sins of Omissioni"Omitted to tell you...", single work poetry (p. 36)
- Deathi"I", single work poetry (p. 37)
- Soni"Do you remember, I wonder,", single work poetry (p. 38-39)
- Sisters (for the Mother of Ruth....)i"Look into your book this morning", single work poetry (p. 40)
- A Poem for Poetsi"A lot of poems are lost.", single work poetry (p. 41)
- Untitledi"Proud of", single work poetry (p. 42-43)
- Peoplei"Some of us eat", single work poetry (p. 46)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
Paperbark : A Collection of Black Australian Writings; Holocaust Island; Love Poems and Other Revolutionary Actions
1991
single work
essay
— Appears in: Australian Aboriginal Studies , no. 1 1991; (p. 76-78)'In a media release early in 1990, the University of Queensland Press (UQP) launched the 'Black Australian Writers' series, suggesting that the aim was to 'open new and exciting opportunities in Black writing'. Such opportunities, of course, have been well and truly opened up for the best part of a decade, thanks to the resolve of publishing houses such as Fremantle Arts Centre Press, Allen and Unwin, Currency, Penguin and, of course, the Aboriginal Studies Press.' (Introduction)
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Roberta Sykes with Cliff Watego : Love Poems and Other Revolutionary Actions
Clifford Watego
(interviewer),
1990
single work
interview
— Appears in: Writers in Action: The Writer's Choice Evenings 1990; (p. 25-41) -
A Passionate Commitment
1989
single work
review
— Appears in: Imago , March vol. 1 no. 1 1989; (p. 48-49)
— Review of Love Poems and Other Revolutionary Actions 1979 selected work poetry -
Living Close to the Bone
1988
single work
review
— Appears in: Hecate , vol. 14 no. 2 1988; (p. 85-90)
— Review of Love Poems and Other Revolutionary Actions 1979 selected work poetry
-
A Passionate Commitment
1989
single work
review
— Appears in: Imago , March vol. 1 no. 1 1989; (p. 48-49)
— Review of Love Poems and Other Revolutionary Actions 1979 selected work poetry -
Living Close to the Bone
1988
single work
review
— Appears in: Hecate , vol. 14 no. 2 1988; (p. 85-90)
— Review of Love Poems and Other Revolutionary Actions 1979 selected work poetry -
Roberta Sykes with Cliff Watego : Love Poems and Other Revolutionary Actions
Clifford Watego
(interviewer),
1990
single work
interview
— Appears in: Writers in Action: The Writer's Choice Evenings 1990; (p. 25-41) -
Paperbark : A Collection of Black Australian Writings; Holocaust Island; Love Poems and Other Revolutionary Actions
1991
single work
essay
— Appears in: Australian Aboriginal Studies , no. 1 1991; (p. 76-78)'In a media release early in 1990, the University of Queensland Press (UQP) launched the 'Black Australian Writers' series, suggesting that the aim was to 'open new and exciting opportunities in Black writing'. Such opportunities, of course, have been well and truly opened up for the best part of a decade, thanks to the resolve of publishing houses such as Fremantle Arts Centre Press, Allen and Unwin, Currency, Penguin and, of course, the Aboriginal Studies Press.' (Introduction)