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AbstractHistoryArchive Description
'Autobiographical account of the changes observed in Australian society in the years following World War II as experienced by the author and his family after leaving Hungary. The author's return to Budapest in 1990 prompts comparisons to the situation in Australia.' (Publication summary)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
-
y
Contesting Childhood : Autobiography, Trauma, and Memory
New Brunswick
:
Rutgers University Press
,
2010
Z1836606
2010
single work
criticism
'The late 1990s and early 2000s witnessed a surge in the publication and popularity of autobiographical writings about childhood. Linking literary and cultural studies, Contesting Childhood draws on a varied selection of works from a diverse range of authors - from first-time to experienced writers. Kate Douglas explores Australian accounts of the Stolen Generation, contemporary American and British narratives of abuse, the bestselling memoirs of Andrea Ashworth, Augusten Burroughs, Robert Drewe, Mary Karr, Frank McCourt, Dave Pelzer, and Lorna Sage, among many others." "Drawing on trauma and memory studies and theories of authorship and readership, Contesting Childhood offers commentary on the triumphs, trials, and tribulations that have shaped this genre. Douglas examines the content of the narratives and the limits of their representations, as well as some of the ways in which autobiographies of youth have become politically important and influential. This study enables readers to discover how stories configure childhood within cultural memory and the public sphere.' (Publisher's blurb)
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'My Father's Knife' : Autobiography as Hermeneutic Phenomenology
2010
single work
criticism
— Appears in: Life Writing , December vol. 7 no. 3 2010; (p. 317-323) -
The Spoor of Scattered Memories : Journeys, Landscapes and Identities in Australian Transcultural Life Writing
2009
single work
criticism
— Appears in: Ariel , October vol. 40 no. 4 2009; (p. 109-127) -
Communicative Clashes in Australian Culture and Autobiography
2006
single work
criticism
— Appears in: Auto/Biography , December vol. 14 no. 4 2006; (p. 285-301) 'Some life-writing critics have pointed to a paradox in Australian autobiography: that of memoir writers paying tribute to their subjects in ways which those subjects would not understand or agree with. In this article, I focus on one facet of this paradox, looking at how various styles of communication are represented in autobiographies. What happens when a highly articulate autobiographer attempts to represent the communicative style of a subject who does not share or value the autobiographer's discursive style? This article surveys a variety of strategies which autobiographers have used, some of which are open to the possibility of valuing a minimalist style of communication, while others condemn it as inarticulate and inexpressive. These varying attitudes connect to a broader cultural debate in Australia. In this debate, an older rural style of communication, which values minimal verbal communication and emotional inexpressivity, is pitted against a more recent urban-based style of communication, which values emotional expressivity and expansive commentary. Intriguingly, this rural speech style (seemingly the antithesis of the autobiographer's art) is represented and valued as an art form by some Australian autobiographers.' -- Publication abstract. -
Generational Shifts in Post-Holocaust Australian Jewish Autobiography
2004
single work
criticism
— Appears in: Life Writing , vol. 1 no. 1 2004; (p. 21-44)
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Always with the Remembering
1994
single work
review
— Appears in: Arena Magazine , April/May no. 10 1994; (p. 54-56)
— Review of Jewels and Ashes 1991 biography ; Inside Outside : Life Between Two Worlds 1992 single work autobiography -
Four Irresistible Lives
1992
single work
review
— Appears in: Modern Times , April no. 2 1992; (p. 31-32)
— Review of Real Deadly 1992 selected work poetry prose extract ; Into the World 1992 single work autobiography ; Wards of the State : An Autobiographical Novella 1992 selected work short story poetry autobiography ; Inside Outside : Life Between Two Worlds 1992 single work autobiography -
Variations on the Conventions : How Autobiography is Changing
1992
single work
review
— Appears in: Australian Book Review , April no. 139 1992; (p. 8-11)
— Review of Real Deadly 1992 selected work poetry prose extract ; I Love to Live : The Fabulous Life of Barry Dickins 1991 single work autobiography ; Wards of the State : An Autobiographical Novella 1992 selected work short story poetry autobiography ; Inside Outside : Life Between Two Worlds 1992 single work autobiography -
Documentation of Australia's People : Variety in Autobiography
1993
single work
review
— Appears in: Northern Perspective , Wet Season vol. 16 no. 2 1993; (p. 134-140)
— Review of Real Deadly 1992 selected work poetry prose extract ; Raukkan and Other Poems 1992 selected work poetry ; Wards of the State : An Autobiographical Novella 1992 selected work short story poetry autobiography ; Inside Outside : Life Between Two Worlds 1992 single work autobiography -
Budapest into Sydney
1993
single work
review
— Appears in: The Times Literary Supplement , 20 August no. 4716 1993; (p. 8)
— Review of The Habsburg Cafe 1993 single work autobiography ; Inside Outside : Life Between Two Worlds 1992 single work autobiography -
Locating the Self in Moral Space : Globalisation and Autobiography
2002
single work
criticism
— Appears in: Selves Crossing Cultures : Autobiography and Globalisation 2002; (p. 3-21) -
Hybridity : Making a Meal of Multiculturalism
1999
single work
criticism
— Appears in: AQ : Journal of Contemporary Analysis , March-April vol. 71 no. 2 1999; (p. 6-10) -
Generational Shifts in Post-Holocaust Australian Jewish Autobiography
2004
single work
criticism
— Appears in: Life Writing , vol. 1 no. 1 2004; (p. 21-44) -
Communicative Clashes in Australian Culture and Autobiography
2006
single work
criticism
— Appears in: Auto/Biography , December vol. 14 no. 4 2006; (p. 285-301) 'Some life-writing critics have pointed to a paradox in Australian autobiography: that of memoir writers paying tribute to their subjects in ways which those subjects would not understand or agree with. In this article, I focus on one facet of this paradox, looking at how various styles of communication are represented in autobiographies. What happens when a highly articulate autobiographer attempts to represent the communicative style of a subject who does not share or value the autobiographer's discursive style? This article surveys a variety of strategies which autobiographers have used, some of which are open to the possibility of valuing a minimalist style of communication, while others condemn it as inarticulate and inexpressive. These varying attitudes connect to a broader cultural debate in Australia. In this debate, an older rural style of communication, which values minimal verbal communication and emotional inexpressivity, is pitted against a more recent urban-based style of communication, which values emotional expressivity and expansive commentary. Intriguingly, this rural speech style (seemingly the antithesis of the autobiographer's art) is represented and valued as an art form by some Australian autobiographers.' -- Publication abstract. -
Generations of Journeys
2002
single work
criticism
— Appears in: Speaking to Immigrants : Oral Testimony and the History of Australian Migration 2002; (p. 149-169)
Awards
- 1993 shortlisted NBC Banjo Awards — NBC Lysbeth Cohen Memorial Prize
- 1992 winner The Fellowship of Australian Writers Victoria Inc. National Literary Awards — FAW Christina Stead Award
- 1992 winner New South Wales Premier's Literary Awards — Multicultural NSW Award
- 1992 winner New South Wales State Literary Awards — Ethnic Affairs Commission Award
- 1992 winner FAW Herb Thomas Literary Award
Last amended 25 Nov 2024 13:10:28
Subjects:
-
cHungary,cEastern Europe, Europe,
- Sydney, New South Wales,
- 1940s
- 1950s
- 1960s
- 1990s
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