AustLit

'Fingers are often pointed at Ebony. Sometimes the people behind the fingers say things too. They say mean things, things she doesn't always understand, things about who she is and what she is. Maybe she doesn't always 'understand', but she knows what they mean. How come they get to say these things? How come they have the power to point fingers?

'And there's trouble in her family, things are falling apart; and there's always a new school and a new crowd of kids to deal with. How will she hold it all together? Ebony is stronger than she thinks, and has a Destiny to lean on too.'

Source: Publisher's blurb.

'A moving memoir about living across two cultures. Growing up "on country" on the west coast of Queensland's Cape York Peninsula in the 1970s and '80s, Fiona Wirrer-George Oochunyung had an idyllic traditional life.

At the age of 16, she decided to pursue her dream of performing and moved to Sydney to attend the NAISDA Dance College. There she studied with the legendary Page brothers before they founded Bangarra Dance Theatre and met her future husband and father of her three daughters.

But the missing piece of her life was her father. As a young woman, she finds her father and carves out a fragile relationship with him. This inspires her to better understand her Austrian ancestry and how it meshes with her Indigenous identity.

Fiona Wirrer-George Oochunyung is the model of a modern woman: mother and professional; performer and creator; teacher and student, urban dweller and remote community inhabitant. As such she shares the joys and challenges that come with growing up in a divided community and carving out a career as a solo parent.

Double Native is a powerful and candid memoir that offers a rare insight into the burgeoning years of the contemporary Indigenous dance movement and what it means to straddle two cultures.' Source: http://uqp.uq.edu.au/ (Sighted 16/03/2012).

"Jindah Murray knew and knew and knew she wanted to dance like the wind." (Cover blurb)

'This absorbing and personal account of Wik activist Jean George Awumpun offers a rare understanding of Aboriginal identity and traditional land. To illustrate her proud Alngith Wikwaya beginnings, Awumpun's early history is told through family member and Alngith descendant Fiona Doyle. This ancestral history combines with the story of Awumpun's struggle in the Wik native title claims, which advanced the earlier Mabo Decision onto mainland Australia.

Using photographs, traditionally inspired art and language terms, Fiona Doyle invites us into the heart of Cape York's Wikwaya country.' Source: Publisher's blurb

By Oochuyung, a Wik girl, with illustrations by Ron Edwards. Her second book (after Sand Beach Girl) tells a simple childhood story with supernatural overtones

'A children's story based on her childhood experiences in the Napranum area of Cape York.' (Publication summary)