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Lawrence Johnson Lawrence Johnson i(A81112 works by) (a.k.a. Lawrence E. Johnson)
Gender: Male
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Works By

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1 Savannah i "City of genteel charm and mystery:", Lawrence Johnson , 2013 single work poetry
— Appears in: Patterns of Living 2013; (p. 65)
1 3 form y separately published work icon Fallout Lawrence Johnson , ( dir. Lawrence Johnson ) Australia : Rough Trade Pictures Pty Ltd , 2013 6587001 2013 single work film/TV

'Following the atomic destruction of Hiroshima and Nagasaki, internationally acclaimed novelist Nevil Shute prophetically and emotively predicted the devastating impact of nuclear proliferation in one of the most important anti-war novels of the 20th century, On The Beach, in which he depicts the end of the world caused by nuclear war. Fallout explores the writing and impulses of Shute's career and novel, and its adaptation into the famous film shot in Melbourne by Hollywood message director Stanley Kramer. Fallout investigates the ambience surrounding Shute’s prophesy of ‘man and machine out of control’ and the mismanagement of nuclear energy and the importance for all of us to be ever vigilant in the post Fukushima age.' (Publisher's blurb)
1 Forgotten Roses i "Along a walkers' route", Lawrence Johnson , 2010 single work poetry
— Appears in: Friendly Street Poetry Reader : Thirty-Four : After the Race 2010; (p. 34)
1 Fire Flies i "Through Louisiana's lowland forest", Lawrence Johnson , 2010 single work poetry
— Appears in: Friendly Street Poetry Reader : Thirty-Four : After the Race 2010; (p. 19)
1 Memories i "The ancient seas have come", Lawrence Johnson , 2008 single work poetry
— Appears in: Friendly Street Poetry Reader : Thirty-Two : Rewired : 2008; (p. 11-12)
1 A Beach Idyll : Unawatuna Beach, Sri Lanka i "A luscious tropical drink", Lawrence Johnson , 2006 single work poetry
— Appears in: Friendly Street Poetry Reader : Thirty 2006; (p. 60-61)
1 At Silverwood i "Morning falls.", Lawrence Johnson , 2004 single work poetry
— Appears in: Friendly Street Poets Twenty-Eight : Another Universe 2004; (p. 51-53)
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