AustLit

'The false cold of the theatre makes it hard to imagine the heavy wind outside in the real world, the ash air pressing onto the city from the nearby hills where bushfires are taking hold.

'The house lights lower. 

'The auditorium feels hopeful in the darkness. '

'As bushfires rage outside the city, three women watch a performance of a Beckett play.

'Margot is a successful professor, preoccupied by her fraught relationship with her ailing husband. Ivy is a philanthropist with a troubled past, distracted by the snoring man beside her. Summer is a young theatre usher, anxious about the safety of her girlfriend in the fire zone.

'As the performance unfolds, so does each woman's story. By the time the curtain falls, they will all have a new understanding of the world beyond the stage.' (Publication summary)

'The brilliant new novel from Charlotte Wood, acclaimed author of The Natural Way of Things .

'People went on about death bringing friends together, but it wasn't true. The graveyard, the stony dirt - that's what it was like now. They knew each other better than their own siblings, but Sylvie's death had opened up strange caverns of distance between them.

'Four older women with a lifelong friendship of the best kind: loving, practical, frank and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. Can they survive together without her?

'They are Jude, a once-famous restaurateur, Wendy, an acclaimed public intellectual, and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they've remained close all these years, the grieving women gather for Christmas at Sylvie's old beach house - not for festivities, but to clean the place out before it is sold.

'Without Sylvie to maintain the group's delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface - and threatens to sweep away their friendship for good.

'The Weekend explores growing old and growing up, and what happens when we're forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book, a celebration of tenderness and friendship that is nothing short of a masterpiece.'  (Publication summary)

'A dark and unexpected novel about a Dublin undertaker who finds himself on the wrong side of the Irish mob.

'Paddy Buckley is a grieving widower who has worked for years for Gallagher’s, a long-established—some say the best—funeral home in Dublin. One night driving home after an unexpected encounter with a client, Paddy hits a pedestrian crossing the street. He pulls over and gets out of his car, intending to do the right thing. As he bends over to help the man, he recognizes him. It’s Donal Cullen, brother of one of the most notorious mobsters in Dublin. And he’s dead.

'Shocked and scared, Paddy jumps back in his car and drives away before anyone notices what’s happened.

'The next morning, the Cullen family calls Gallagher’s to oversee the funeral arrangements. Paddy, to his dismay, is given the task of meeting with the grieving Vincent Cullen, Dublin’s crime boss, and Cullen’s entourage. When events go awry, Paddy is plunged into an unexpected eddy of intrigue, deceit, and treachery.

'By turns a thriller, a love story, and a black comedy of ill manners, The Last Four Days of Paddy Buckley is a surprising, compulsively readable debut novel.' (Publication summary)

'“Okay, tell me which you want: To be able to fly or to be invisible.”

Alek, 7

'And so begins the tale of a family finding itself, told by each of its members as they discover powers they never thought possible, from the author of the acclaimed Things We Didn’t See Coming.' (Publication summary)

'At once humorous and dramatic, Three Dollars is about Eddie, an honest, compassionate man who finds himself, at the age of 38, with a wife, a child and three dollars. How did he get that way? And who is Amanda? He cared about people; he was, Amanda notwithstanding, a good husband, father and son. At any other time the world would have smiled on him. But this was the nineties and the world valued other things. Three Dollars chronicles the present breach of the social contract and its effect on a home near you. It is a brilliantly deft portrait of a man attempting to retain his humanity, his family and his sense of humour in grim and pitiless times: times of downsizing, outsourcing and privatising. It is about the legacy of Thatcherism and its effects on people and their relationships.' (Synopsis)

'Thanks to his enlightened leadership, 15 years of peace and prosperity have passed since Otori Takeo united the Three Countries, but his enemies continue to plot their revenge—including the Tribe, a ninja-like group of assassins, and the duplicitous Lord Zenko, one of Takeo's retainers. Perhaps the greatest threat, however, is the prophecy of a holy woman that Takeo will die only at his son's hand; his only son, an unacknowledged bastard, is being raised by his sworn enemy Kikuta Akio, the head of a Tribe family. With his beautiful (and legitimate) daughter and heir Shigeko by his side, Takeo must navigate these treacherous shoals to save his lands and his legacy from destruction'. (Publisher's blurb)

Peace comes at the price of bloodshed-five battles will buy you peace, four to win and one to lose. At the temple of Terayama, the words of the blind sage's prophecy continue to haunt Takeo as he readies his armies for battle. Determined to avenge Shigeru's death and claim his rightful inheritance, Takeo and Kaede, together with Takeo's forces; fight their way to the domain of Maruyama. But then they must separate. Takeo makes plans for a battle by the sea, and Kaede returns to her family's home at Shirakawa. Will they see each other again? (Publication summary)

'In Keith Miller's debut novel, our hero is Pico, a poet and librarian who is forbidden to pursue the girl of his dreams - for she has wings, and Pico does not. When he discovers an ancient letter in his library telling of the mythical Morning Town where the flightless may gain their wings, he sets off on a quest. It's a magical journey and coming-of-age story in which he meets a robber queen, a lonely minotaur, a cannibal, an immortal beauty, and a dream seller. Each has a story, and a lesson, for Pico-about learning to love, to persevere, and, of course, to fly.'

Source: Publisher's blurb.

'The pseudonymous Hearn's second thrilling installment of her Tales of the Otori trilogy (after 2002's Across the Nightingale Floor) is once again set in a magic-haunted version of medieval Japan where no one wields unchallenged authority and no one is safe. The swirl of treacherous, shifting clan alliances threatens to overwhelm young lovers and aristocrats Takeo and Kaede. Separated throughout most of the action, the two must develop their talents while trying to maintain their integrity. Takeo possesses superhuman gifts such as the ability to become invisible, project a double image of himself and hear distant conversations; however, he must discipline his skills and control his impetuous temper. He also must work out his relationship with the Tribe, a treacherous secret organization of spies and assassins that saved his life but that may have murdered his father. Kaede, meanwhile, has to escape the powerless role of a woman if she is to protect herself and her family domain from predatory neighbors'.

Source: bookseller's website.

'At once a psychological thriller and a social critique, Seven Types of Ambiguity is a novel of obsessive love in an age of obsessive materialism.

'Following years of unrequited love, an out-of-work schoolteacher decides to take matters into his own hands, triggering a chain of events no one could have anticipated.

'This is a story of impulse and paralysis, of empty marriages, lovers and a small boy, gambling and the market, of adult children and their parents, of poetry and prostitution, psychiatry and the law.'

Source: Publisher's blurb (Faber ed.).

'Three eccentric, secluded nuns live on a remote island, forgotten by time and the Church—until a priest unwittingly happens upon them. Father Ignatius is as surprised to see the nuns as they are to see a flesh-and-blood man, and what follows is the strange, moving, and often hilarious story of their struggle—a struggle of wills, and of faith.'

Source: Publisher's blurb (Riverhead Books).