AustLit

'The debut of a major Australian writer, The Night Guest is a mesmerising novel about trust, love, dependence, and the fear that the things you think you know may become the things you're least sure about.

One morning an elderly widow called Ruth wakes thinking a tiger has been in her seaside house. Later that day a formidable woman called Frida arrives, looking as if she's blown in from the sea, but who has in fact come to care for Ruth.

Frida and the tiger: both are here to stay, and neither is what they seem. How far can Ruth trust them? And as memories of childhood in Fiji press upon her with increasing urgency, how far can she trust herself?

The Night Guest, Fiona McFarlane's hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, power and perception; about how the past can colonise the present, and about things (and people) in places they shouldn't be. Above all, it's a brilliantly involving story about two very particular women.' (Publisher's blurb)

'Sixty Lights is the captivating chronicle of Lucy Strange, an independent girl growing up in the Victorian world. From her childhood in Australia through to her adolescence in England and Bombay and finally to London, Lucy is fascinated by light and by the new photographic technology. Her perception of the world is passionate and moving, revealed in a series of frozen images captured in the camera of her mind's eye showing her feelings about love, life and loss. In this confident, finely woven and intricate novel Jones has created an unforgettable character in Lucy; visionary, gifted and exuberant, she touches the lives of all who know her.' (Publication summary)

'The year is 1947. The great fire of the Second World War has convulsed Europe and Asia. In its wake, Aldred Leith, an acclaimed hero of the conflict, has spent two years in China at work on an account of world-transforming change there. Son of a famed and sexually ruthless novelist, Leith begins to resist his own self-sufficiency, nurtured by war. Peter Exley, another veteran and an art historian by training, is prosecuting war crimes committed by the Japanese. Both men have narrowly escaped death in battle, and Leith saved Exley's life. The men have maintained long-distance friendship in a postwar loneliness that haunts them both, and which has swallowed Exley whole. Now in their thirties, with their youth behind them and their world in ruins, both must invent the future and retrieve a private humanity.

'Arriving in Occupied Japan to record the effects of the bomb at Hiroshima, Leith meets Benedict and Helen Driscoll, the Australian son and daughter of a tyrannical medical administrator. Benedict, at twenty, is doomed by a rare degenerative disease. Helen, still younger, is inseparable from her brother. Precocious, brilliant, sensitive, at home in the books they read together, these two have been, in Leith's words, delivered by literature. The young people capture Leith's sympathy; indeed, he finds himself struggling with his attraction to this girl whose feelings are as intense as his own and from whom he will soon be fatefully parted.'

Source: Publisher's blurb.

After twenty years of peacefully running one of the Empire’s settlements, a magistrate takes pity on an enemy barbarian who has been tortured. He enters into an awkward intimate relationship with her, and then is himself imprisoned as an enemy of the state.

Waiting for the Barbarians is a disturbing political fable about oppression, the fraught desire for reparation, and about living with a troubled conscience under an unjust regime.'

Source: Publisher's blurb.

'"House in Gastouri for rent for 2 mths. Occupant travelling. Reasonable rent."

In a village on the island of Corfu, alone in the cottage of a man he's never met, a young Australian actor pieces together the strange life story of the writer whose house he's living in. As he explores his surroundings and makes new friends in Corfu, his own life begins to appear to him like an illuminating shadow-play of his absent host's.

Set in the physical landscapes of the Greek islands, Adelaide and the suburbs of London, Robert Dessaix's second novel is about friendship, love, the ordinary and extraordinary. Yet at its core is a perfectly placed meditation on literary landscapes–Homer, Sappho, Cavafy and Chekhov–and the part art can play in making our lives beautiful' (publisher blurb).

'Gilgamesh is the epic story of a mother's search for the father of her child - from Australia to Armenia via England and Mesopotamia - all under the shadow of the imminent, and soon to be very real, Second World War. Narrated in a clear, poetic voice, it is a portrayal of the different journeys we choose to take through life and what happens when ordinary people get caught up in extraordinary, seismic events.'

Source: Publisher's blurb (2018 ed.).

'The frank and intimate journey of self-discovery by author, critic and arts commentator Robert Dessaix. Confronting, revealing and candid, the book traces his life from adoption towards the end of World War II, to a most unusual childhood on Sydney's North Shore, to his fascination with Russia and his time spent studying in Cold War Moscow, and to his years spent criss-crossing the globe from Kashmir to Peru on various study trips. But a life that might have been exciting to others, to Robert was empty at its core. Constantly haunting him was the realisation that there was a "shaft of silence" running through his being - the question of who his natural mother was and what his origins were. A story of coming to terms with a new identity.' (Publication summary)

'An early-morning murder in the park of a quiet country town. Two hitch-hiking girls, one of them guilty - one of them a liar.

'Four years on, Marion still has to know who killed her brother. The police, the press and ordinary people have lost interest in the case. She needs to call on Jefferson Shields - she's been told that he solves puzzles.

'You'll be baffled to the end of The Souvenir.' (Publisher's blurb [Wakefield Press ed.])

Robyn Davidson tells the story of her 1977 journey across the desert, from Alice Springs to Western Australia. She and a Pitjantjara elder completed their crossing on camel's back. Tracks is the story of her adventure, not only across the desert, but also into self-discovery, and the discovery of the beauty, nobility, and history of the country and its people. (Source: Trove)

'Everyone in Port Lincoln thinks Snook Pascoe is a loser. People joke about his clumsiness; his teacher ridicules him and even his father, skipper of the tuna boat Blue Fin, is convinced that Snook will never amount to anything. After all, tuna fishing is a hard life for ‘real men’.

'When Snook is allowed, for once, to sail on Blue Fin he faces a terrifying disaster. A waterspout engulfs the ship, the deck is swept clean, the radio and rudder are wrecked, the engine is disabled, the crew is lost overboard and Snook’s father lies unconscious down below. Snook is on his own, far out to sea…' (Publication summary)

The story of a boy and his pelican, Mr Percival, who live on the South Australian Coorong.