AustLit

'Becky Jackson's family has been managing the hospital in far-flung Morgan's Reach for three generations. When Becky's husband is tragically lost at war, she and her young son Danny must leave the city and return to her birthplace to start over.

'But for all its charm, Morgan's Reach is a divided community, where blood is thicker than water and grudges run deep. So when a mysterious stranger appears outside the town and Danny begins to act strangely, it is not only Becky's newfound stability that's threatened.

'And what of the fact that there's not been a drop of rain in over three years? The risk of wildfire looms large and the hospital is already pushed to breaking point. A single spark could level the area in minutes - burning away everything for which the town has worked so hard; exposing the secrets they've fought to keep so close.' (Publication summary)

'The river can take you home. But the river can also drag you under...

''It's something she learned years ago - the hard way - and that she knows she will never forget: even the sweetest fruit will fall and rot into the earth, eventually. No matter how deep you bury the pain, the bones of it will rise up to haunt you ... like the echoes of a summer's night, like the river flowing relentlessly on its course.

'Margot Sorrell didn't want to go home. She had spent all her adult life trying not to look behind. But a text from her sister Lucy brought her back to Somerset. 'I need you.'

'As Margot, Lucy and their eldest sister, Eve, reunite in the house they grew up in beside the river, the secrets they keep from each other, and from themselves, refuse to stay hidden. A wedding brings them together but long-simmering resentments threaten to tear the family apart. No one could imagine the way this gathering would change them all forever. And through the sorrow they are forced to confront, there is a chance that healing will also come. But only if the truth is told.' (Publication summary)

'My real name, no one remembers.
The truth about that summer, no one else knows.

'In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor in rural Oxfordshire. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe's life is in ruins.

'Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist's sketchbook containing the drawing of a twin-gabled house on the bend of a river.

'Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

'Told by multiple voices across time, The Clockmaker's Daughter is a story of murder, mystery and thievery, of art, love and loss. And flowing through its pages like a river, is the voice of a woman who stands outside time, whose name has been forgotten by history, but who has watched it all unfold: Birdie Bell, the clockmaker's daughter.' (Source: Publisher's blurb)

'Two summers, decades apart. Two women whose lives are forever entwined. And a house that holds the secrets that could free them both.

'At twenty-six, Lillian feels ancient and exhausted. Her marriage to Charles Oberon has not turned out the way she thought it would. To her it seems she is just another beautiful object captured within the walls of Cloudesley, her husband's Chilterns manor house. But, with a young step-son and a sister to care for, Lillian accepts there is no way out for her. Then Charles makes an arrangement with an enigmatic artist visiting their home and her world is turned on its head.

'Maggie Oberon ran from the hurt and resentment she caused. Half a world away, in Australia, it was easier to forget, to pretend she didn't care. But when her grandmother, Lillian, falls ill she must head back to Cloudesley. Forced to face her past, she will learn that all she thought was real, all that she held so close, was never as it seemed.'

Source: Publisher's blurb.

'The man lay still in the centre of a dusty grave under a monstrous sky.

'Two brothers meet at the border of their vast cattle properties under the unrelenting sun of outback Queensland.

'They are at the stockman's grave, a landmark so old, no one can remember who is buried there. But today, the scant shadow it casts was the last chance for their middle brother, Cameron.

'The Bright family's quiet existence is thrown into grief and anguish. Something had been troubling Cameron. Did he lose hope and walk to his death? Because if he didn't, the isolation of the outback leaves few suspects...'

Source: publisher's blurb.

'WHO REALLY KILLED THE HADLER FAMILY?

'Luke Hadler turns a gun on his wife and child, then himself. The farming community of Kiewarra is facing life and death choices daily. If one of their own broke under the strain, well ...

'When Federal Police investigator Aaron Falk returns to Kiewarra for the funerals, he is loath to confront the people who rejected him twenty years earlier. But when his investigative skills are called on, the facts of the Hadler case start to make him doubt this murder-suicide charge.

'And as Falk probes deeper into the killings, old wounds are reopened. For Falk and his childhood friend Luke shared a secret ... A secret Falk thought long-buried ... A secret which Luke's death starts to bring to the surface ...' (Publication summary)

'Five women reluctantly pick up their backpacks and start walking along the muddy track. Only four come out the other side.

'The hike through the rugged Giralang Ranges is meant to take the office colleagues out of their air-conditioned comfort zone and teach resilience and team building. At least that is what the corporate retreat website advertises.

'Federal Police Agent Aaron Falk has a particularly keen interest in the whereabouts of the missing bushwalker. Alice Russell is the whistleblower in his latest case - in just a matter of days she was to provide the documents that will bring down the company she works for.

'Falk discovers that far from the hike encouraging teamwork, the women tell a tale of suspicion, violence and disintegrating trust. But does it include murder?' (Publication summary)

'An abandoned house…

'After a particularly troubling case, Sadie Sparrow is sent on an enforced break from her job with the Metropolitan Police and retreats to her beloved grandfather’s cottage in Cornwall. There she finds herself at a loose end, until one day she stumbles upon an abandoned house surrounded by overgrown gardens and dense woods, and learns the story of a baby boy who disappeared without a trace.

'A missing child…

'June 1933, and the Edevane family’s country house, Loeanneth, is polished and gleaming, ready for the much-anticipated Midsummer Eve party. For Eleanor, the annual party has always been one of her treasured traditions, but her middle daughter, Alice, sixteen years old and with literary ambitions, is especially excited. Not only has Alice worked out the perfect twist for her novel, she’s also fallen helplessly in love with someone she shouldn’t. But by the time midnight strikes and fireworks light up the night sky, the Edevane family will have suffered a loss so great they leave Loeanneth and never return.

'An unsolved mystery…

'Seventy years later, in the attic writing room of her elegant Hampstead home, the formidable Alice Edevane, leads a life as neatly plotted as the bestselling detective novels she writes. Until a young police detective starts asking questions about her family’s past and seeking to resurrect the complex tangle of secrets Alice has spent her life trying to escape…'

Source: Publisher's blurb.

'Southwest Britain, AD 43.

'For the people of Caer Cad, ‘skin’ is their belief, their greeting, their ancestors, their land.

'Ailia does not have skin. Abandoned at birth, she serves the Tribequeen of her township. Ailia is forbidden to marry, left out of tribal ceremonies and, most devastatingly, barred from attending lessons. But an encounter with a mysterious fish sets her on another path. The Mothers, the tribal ancestors, have chosen her to become their highest knowledge-bearer—the Kendra.

'Lured by the beautiful and enigmatic Taliesin, who appears to her as both man and fish, Ailia embarks on an unsanctioned journey to attain the knowledge that will protect her people from the most terrifying invaders they have ever faced.

'Set in Iron-Age Britain, on the cusp of Roman invasion, Skin is a thrilling, full-blooded, mesmerizing novel about the collision of two worlds, and a young woman torn between two men.' (Publication summary)

'On a sultry summer's day in 1980, five friends stumble upon an abandoned lakeside cottage hidden deep in the English countryside. For Kat and her friends, it offers an escape; a chance to drop out for a while, with lazy summer days by the lake and intimate winter evenings around the fire. But as the seasons change, tensions begin to rise and when an unexpected visitor appears at their door, nothing will be the same again ...

'Three decades later, Lila arrives at the same remote cottage. With her marriage in crisis, she finds solace in renovating the tumbledown house. Little by little she wonders about the previous inhabitants. How did they manage in such isolation? Why did they leave in such a hurry, with their belongings still strewn about? Most disturbing of all, why can't she shake the feeling that someone might be watching her?' (Publisher's blurb)

'Every family has its secrets. Some are small, like telling a white lie or snooping through a private drawer. Others are more serious, like infidelity and betrayal. And some secrets are so terrible they must be hidden away in a deep, dark place, for if they ever came to light, they would surely tear a family apart.

'The Tides are a family full of secrets. Returning to Clifftops, the rambling family house perched high on the Dorset coastline, youngest daughter Dora hopes for a fresh start, for herself and the new life she carries. But can long-held secrets ever really be forgiven? And even if you can forgive, can you ever really learn to love again?' (From the publisher's website.)

'Don Tillman is a forty-year-old geneticist with undiagnosed Aspergers. When he wants to find a partner, he approaches the project the only way he knows - systematically. He creates a questionnaire designed to find the perfect woman - a punctual, non-drinking, non-smoking female who will fit in with his regimented lifestyle. When Rosie appears on the scene, she fits none of Don's criteria - but she does turn his life upside down.'

Source: Wheeler Centre website,
Sighted: 28/05/2012

'Anna Funder's utterly compelling first novel All That I Am is about the heroic and largely tragic fate of a small group of left-wing German activists who opposed the rise of Hitler. It centres on two real people: the playwright Ernst Toller (famously eulogized by his friend W H Auden), and one of his associates, Ruth Koplowitz. Ruth was also a friend of Toller, and came to live in Sydney after WW2, where Anna got to know her well in later life. Their lives were tied together by the charismatic, passionate Dora - All That I Am vividly, passionately and irresistibly brings back to life their struggles, their hopes, their fears and their fates.'

Source: Penguin News, 6 October 2010
Sighted: 11/10/2010

'Edie Burchill and her mother have never been close, but when a long-lost letter arrives one Sunday afternoon with the return address of Milderhurst Castle, Kent, printed on its envelope, Edie begins to suspect that her mother's emotional distance masks an old secret. Evacuated from London as a thirteen-year-old girl, Edie's mother is chosen by the mysterious Juniper Blythe, and taken to live at Milderhurst Castle with the Blythe family: Juniper, her twin sisters and their father, Raymond, author of the 1918 children's classic The True History of the Mud Man. In the grand and glorious Milderhurst Castle, a new world opens up for Edie's mother. She discovers the joys of books and fantasy and writing, but also, ultimately, the dangers.

Fifty years later, as Edie chases the answers to her mother's riddle, she, too, is drawn to Milderhurst Castle and the eccentric Sisters Blythe. Old ladies now, the three still live together, the twins nursing Juniper, whose abandonment by her fiance in 1941 plunged her into madness. Inside the decaying castle, Edie begins to unravel her mother's past. But there are other secrets hidden in the stones of Milderhurst Castle, and Edie is about to learn more than she expected. The truth of what happened in the distant hours has been waiting a long time for someone to find it.' Source: www.allenandunwin.com/ (Sighted 03/11/2010).

'Abandoned in a big city at the onset of winter, a hungry four-year-old boy follows a stray dog to her lair. There in the rich smelly darkness, in the rub of hair, claws and teeth, he joins four puppies suckling at their mother's teats. And so begins Romochka's life as a dog.

Weak and hairless, with his useless nose and blunt little teeth, Romochka is ashamed of what a poor dog he makes. But learning how to be something else...that's a skill a human can master. Fortunately - because one day Romochka will have to learn how to be a boy.' (Publisher's Blurb)

'A chef, a portraitist and a barber are taken hostage in a coup to overthrow their boss, the president of a nameless country. They are held captive in a palatial retreat in the mountains high above the capital city. Meanwhile, the chef's daughter, the portraitist's pregnant wife and the barber's lover watch their men from the shadows – for in such precarious times, intimate relationships are as dangerous as political ones. As the old order falls, so does the veil that hides the truth about the secret passions of these men and women.

'Drawing her readers masterfully towards the novel's devastating climax, Ceridwen Dovey reveals how humanity's most atavistic impulses – vanity, vengeance and greed – seethe, relentlessly, just beneath the surface of everyday life. '