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Wesley Enoch Wesley Enoch i(A31691 works by)
Born: Established: 1969 Stradbroke Island, Moreton Bay, Brisbane - South East, Brisbane, Queensland, ;
Gender: Male
Heritage: Aboriginal ; Aboriginal Nunukul / Noonuccal ; Aboriginal Nguri
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Details of Works Taught

Text Unit Name Institution Year
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Modern Australian Drama Australian National University 2012
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Australian Theatre Charles Sturt University 2010 (Summer Semester)
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Contemporary Australian Drama Flinders University 2010 (Semester 1)
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Australian Theatre and Performance University of Melbourne 2013 (Semester 2)
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Australian Theatre and performance University of Melbourne 2014 (Semester 2)
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Australian Theatre and Performance University of Melbourne 2016 (Semester 2)
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Australian Literature: 1930 to the Present University of New England 2009
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Minorities and Majorities in Australian Theatre University of New England 2009
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Minorities and Majorities in Australian Theatre University of New England 2011 (Semester 2)
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Australian Literature: 1930 to the Present University of New England 2011 (Semester 2)
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Australian Literature: 1930 to the Present University of New England 2012 (Semester 2)
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Australian Drama University of Southern Queensland 2014 (Semester 1)
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Australian Drama University of Southern Queensland 2012 (Semester 1)
y separately published work icon The Seven Stages of Grieving Wesley Enoch , Deborah Mailman , Hilary Beaton , 1995 Brisbane : Playlab , 1996 Z355402 1995 single work drama (taught in 14 units)
— Appears in: アボリジニ戯曲選 : ストールン; 嘆きの七段階 2001;

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

Introduction to Aboriginal Literature University of Sydney 2012
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