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Liliana Zavaglia Liliana Zavaglia i(A148109 works by)
Gender: Female
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Works By

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1 "Out of the tear drenched land": Transnational Sites of Memory in 'The Narrow Road to the Deep North' Liliana Zavaglia , 2018 single work criticism
— Appears in: Richard Flanagan : Critical Essays 2018; (p. 193-219)
1 The Novels of Richard Flanagan : An Introduction Robert Dixon , Liliana Zavaglia , 2018 single work criticism
— Appears in: Richard Flanagan : Critical Essays 2018; (p. 1-19)

'On 14 October 2014 Richard Flanagan was awarded the Man Booker Prize for The Narrow Road to the Deep North (2013). It was a signal moment not only in his own career but also in the international reception of Australian literature. In his acceptance speech and in media interviews in London, however, Flanagan identified with Tasmania rather than Australia, explaining, "I do not come out of a literary tradition. I come from a tiny mining town in the rainforest on an island at the end of the world." Echoing Salman Rushdie in the wake of his own Booker win for Midnight's Children in 1981, Flanagan went on to claim that "Literary culture... is the vengeance of the edges on the centre".'

1 2 y separately published work icon White Apology and Apologia : Australian Novels of Reconciliation Liliana Zavaglia , Amherst : Cambria Press , 2016 10291354 2016 multi chapter work criticism

'This book takes as its subject a body of recent fiction by white liberal writers produced in the wake of the profound cultural, political and legal transformations that have taken place in the field of Indigenous rights since the 1990s. Two milestones of this period are the High Court of Australia’s Mabo ruling on June 3, 1992, and the Rudd Labor Government’s national Apology to Australia’s Indigenous Peoples on February 13, 2008. The novels explored in this study are Alex Miller’s Journey to the Stone Country (2002) and Landscape of Farewell (2007), Andrew McGahan’s The White Earth (2004), Kate Grenville’s The Secret River (2005) and Gail Jones’ Sorry (2007). Each of these novels was written in the period between 2002 and 2007. These were the years when the Indigenous rights and reconciliation movements had all but disappeared from the national political agenda through the interventions of the Howard Liberal Government. These works attempted to counter these silences as acts of literary activism, which strived to reignite the politically stalled processes of reconciliation. Through the medium of fiction, they kept Indigenous justice issues before the reading public, provoking discussion and stirring debate.

'White Apology and Apologia engages in close readings of the Mabo ruling, the national Apology and this body of fiction as a form of cultural history, which reflects important aspects of black/white relations in the past twenty-five years. Together, these legal, political and literary texts reveal a tension that arguably came to define this period. This tension fluctuates between a reconciliatory impulse of sorrow for Indigenous loss and the defensive desire to offer exits for white culture from the ongoing demands of a violent settlement history. Taking shape as twinned register of white longing, this conflicted cultural drive is the focus of this study.

'Each of these novels has had a significant reception and impact. All were shortlisted by the Miles Franklin Award with two taking out the coveted prize. While much critical attention has been given to their fictional explorations of reconciliation and the colonial past, this is the first study to focus on the novels as a collection of cultural artefacts from a brief but remarkable time in Australia’s recent history. In their attempts to explore Indigenous loss and dispossession, the novels can be seen as complex literary engagements with issues of the greatest moment in the contemporary public sphere. Together, they provide a significant snapshot of an ambivalent postcolonial culture in flux.

'Through an exploration of these important documents and texts of reconciliation, this study is able to offer symptomatic close readings of Australian liberal whiteness in the process of coming to terms with its troubling history. Providing new insights into how legal, historical, political, and literary discourses can influence each other in the quest for justice, White Apology and Apologia attempts to understand the relation between Australian literature and the culture that produced it. In the process it reveals the riven state of Australian postcolonial whiteness itself, which has been transformed by the legal, political and cultural shifts of the 1990s, yet which paradoxically resists its own deconstructions even as it longs for the dismantling of its own hegemony. The double movement of apology and apologia explored in this timely and important study is a startling reminder of the unresolved nature of the traumatized colonial legacy bequeathed to Australian settler culture by its history, and which continues to accompany white liberal discourse in its quest to heal its relations with the other.

'White Apology and Apologia is an important book for Australian literary and cultural studies collections.'

Source: Publisher's blurb.

1 1 Old Testament Prophets and New Testament Saviours : Reading Retribution and Forgiveness towards Whiteness in Alex Miller’s Journey to the Stone Country Liliana Zavaglia , 2012 single work criticism
— Appears in: The Novels of Alex Miller : An Introduction 2012; (p. 170-186)
'In Journey to the Stone Country (2002), Alex Miller explores a national history in a regional setting, mapping a literary path towards reconciliation between black and white on what we may consider - and what he himself has described - as a place sacred to both Indigenous and European dreaming ('Sweet Water', 104). Yet Journey to the Stone Country is not only a literary journey. Contained within the literary of Miller's intricately drawn fictional world is the literal, the lived experiences of the character's real-life counterparts, whose stories inform the reconciliatory movements of the novel.' (From author's introduction 170)