AustLit

After stumbling on a secret super-computer, clumsy pizza delivery boy Scooter transforms himself into Secret Agent X-19, undertaking a double life of international intrigue.

The program draws its inspiration from straightforward spy films, such as the James Bond franchise, as well as their parodic counterparts, such as Get Smart, from which Scooter: Secret Agent draws its comedic tone. Simultaneously, the program makes extensive use of both stuntwork (including wire work) and special effects in order to provide Scooter with a a range of science-fiction gadgets.

Two students--easy-going and not terribly academically inclined Toby and unpopular teacher's pet Elizabeth--are hit by an unusual magnetic pulse that transforms them both into scientific geniuses. While Toby is uncomfortable with his new power and not certain how to put it to use, Elizabeth revels in hers, hoping to dominate the school.

Creator Jonathan M. Shiff notes (in the media kit for season one) that

'I wanted the series to be grounded in real teenagers and an authentic school environment - bringing the chaos of teenage emotions and friendship to the backdrop of science and adventure. Wicked Science is very much driven by Elizabeth's desire to catch Toby's attention and instead of witchcraft or magic it is science she uses as the tool'.

The production company also liased with Australian Teachers of Media (ATOM) to create a study guide that would enable teachers to use Wicked Science as a starting point for classroom discussions of science, its place in society, and the specific scientific concepts explored in the series.

Fourteen-year-old Ben discovers that his seemingly staid country town of Werrinup, Western Australia, is actually the gateway to a number of parallel dimensions--where things are almost but not quite like his own world. Once he becomes aware of the parallel worlds, he also becomes aware that they are under threat, and he has to help protect them.

Parallax was created and produced by Paul D. Barron, who is also responsible for such programs as Wormwood, Stormworld, and Ship to Shore.

A secret portal links a child in Perth, Australia, with a child in Galway, Ireland.

'Based on the popular books by Rose Impey, this comedy-drama series features five 12-year-old girls on their quest for identity, individuality, belonging, family, friendship and how to have the most fun while trying to deny the existence of boys.'

Source: Screen Australia. (Sighted: 3/12/2013)

Fifteen-year-old Kate and her two younger siblings, Nicholas and Sarah, are accidentally zapped inside Kate's current video-gaming obsession: Pirate Islands, a swashbuckling action-adventure game. Now the children--and the island's existing population of castaway children, led by the fearless Mars--must battle the fearsome Captain Blackheart if they wish to get back to their own world.

The program is structured around the generic conventions of video gaming: the protagonists must find a powerful object (the Golden Idol) in order to exit the game; the islands contain 'power ups', namely a jet-pack and magic boots, that give the protagonists super-human powers; and the location is divided into several distinct environments that the protagonists can explore (Castaway Island, Haunted Island, Plant Island, Main Island, and Secret Island).

The program has never been released on DVD in its entirety, but was cut down and released as two films.

A prototype cybernetic human from a distant planet crash-lands on Earth in order to explore the species from which she was developed. To move safely around the city, she disguises herself as the human cousin of a local boy. But two evil replicants are sent after her.

In positioning this program for the media, Jonathan M. Shiff emphasised both similarities to and differences from his previous programs:

'With CYBERGIRL, I set out asking myself how to create a series which has a teenage girl as a principal lead star, in a hip and modern way for the 21st century. Whereas OCEAN GIRL dealt with environmental themes, CYBERGIRL deals with the balance between humans and technology. In a world where millions of our audience are comfortable with the Internet, I thought it would be fun to have our hero as a walking computer!'

Indeed, Shiff placed great emphasis on his choice of a young female protagonist:

'I believe it has been many years since young children had a female superhero - the last was probably WONDER WOMAN. The recent trend for children, especially girls, to identify with characters like CHARLIE'S ANGELS indicates a strong desire for them to see themselves in the media as quite proactive, intelligent and strong, whilst still being emotionally sensitive'.

Source: Cybergirl media kit: http://www.jonathan-m-shiff.com.au/downloads/cg_media_kit.pdf. (Sighted: 17/2/2012)

A live-action puppet show, Li'l Horrors followed the misadventures of the students at a school run by Morbidda Bates, a retired horror-film actress. The students included examples of key monsters from horror films: vampires, Frankenstein's monster, gorgons, mummies, zombies, werewolves, and swamp creatures.

According to December Films' press release for the series:

Li'l Horrors is a children's puppet sitcom specifically produced for the 5-8 year old age group. This is an age group who are currently not well catered for. Much programming is made for pre-schoolers and for 9 year olds and above. Li'l Horrors is created for this in between age group. It does not talk down to its audience or aim over its head. It is, however, infused with enough wit and off-the-wall humour to engage an even wider audience. Aimed well at [its] target audience, it is modern, slick, sly, funny and irreverent.

The program also focuses strongly on difference, with each of the characters quite strongly physically different from one another, as well as widely different in behavious and characteristics.

Chuck Finn follows Charles 'Chuck' Finn, a Canadian boy whose parents move from Toronto to the Australian country town of Tingalla. At first, he longs desperately to return to Toronto, but he soon finds the decommissioned and derelict paddle steamer the Tingalla Rose. Soon, he and his friends--some of whom are ghostly, rather than mortal--are enchanted by the possibility of getting the Tingalla Rose running again and seduced by life on the Murray River.

Unfortunately for Chuck Finn, Barron Entertainment declared bankruptcy during the production of season two. A truncated season of six episodes was completed and released, but the production was abandoned at that point.

Set on a post-apocalyptic Earth, Thunderstone follows Noah Daniels who, with his family, lives in the underground colony of North Col, after all life on the surface of the Earth is destroyed by the impact of the Nemesis Comet. Fascinated with the holographic animals that the North Col colonists use to teach their children about the Earth's extinct species, Noah is accidentally transported forward in time, to the colony of Haven. 'Thunderstone' is the name given to the remnants of the Nemesis Comet, which allow Noah to travel through time.

Season one involves Noah's travels through time, in company with Arushka (a nomadic girl from Haven), in an attempt to repopulate the Earth with animals. Season two revolves around Noah's attempts to completely destroy the Nemesis Comet before it strikes the Earth, thereby preventing the apocalypse. Season three involves Noah's experiments in wormhole technology, his plans to set up a space colony, and the attempts of guerillas from the future to assassinate Noah before he can (allegedly) murder his own parents.

Season one has been released in its entirety on DVD, but neither season two nor season three have been made commerically available.

'A fast-paced television drama set within the fascinating environment of a State Coroner's office complex. Each day a team of highly trained professionals deal with the questions of deaths, murders, accidents, suicides, fires, drownings and even the odd natural cause. We see their battles with grieving families, slow or meddling authorities and organized crime, from the initial inquiry through to the courtroom appearances and the Coroner's final verdict and recommendations for trial or reform.'

Source: Australian Television Information Archive (http://www.australiantelevision.net/statecoroner/statecoroner.html). (Sighted: 8/3/2013)

The gift has the power to grant you anything you desire, but once you realise what it does, you must pass it on.

'Paul and Brett Bates are given an audience with the President of the Global Union to voice their opposition to Praxis' adversarial stand against the aliens and are granted an immediate suspension of all attack preparations. Malakat tells Shersheba and Mera that he was responsible for the creation and release of the Red Virus on the Ocean Planet. Hauser discovers that Ilona is a spy from the Ocean Planet when she walks in on her making a report back to Malakat. Realising its potential for good, Neri retrieves the ankh back to her island. Hauser tells Cass and Winston about Ilona and asks for their help in 'understanding' the aliens. Mera locates a hidden passage in her cell inside the pyramid which gives her access to a source of water. Shersheba rebukes Malakat for his arrogance and controlling behavior reminding him that she will be the one in power when Earth is conquered, Malakat in response stops advising her on what actions to take. Feeling the need to do something, Shersheba takes a vial of the red virus and released it into the ocean.'

Source: Australian Television Information Archive. (Sighted: 12/6/2013)

An American/Australian co-production, this series was a revival of the original 1964 - 1967 series Flipper.

The show's production is sharply divided between seasons one and two on one side and seasons three and four on the other.

Seasons one and two aired in first-run syndication in the US, as American television networks turned away from funding comparatively expensive one-hour dramas in the late 1980s and 1990s. These two seasons were made in Australia and took advantage of local directors and other crew, but, notably, the script-writers were exclusively American (as far as they have been traced).

For seasons three and four, Flipper left first-run syndication and aired in the US on the new network PAX TV (now Ion Television). These two seasons were also made in Australia and directed by Australians, but for the first time, they also used Australian script-writers: of the writers who have been traced for seasons three and four, all of the season three writers and the majority of the season four writers are Australian.

For full information on the script-writers, see the list of episodes on the film details page of this record.

Ocean Girl follows the adventures of Jason and Brett Bates, who move with their mother (a reasearch scientist studying whale song) to an underwater research station near Port Douglas. There, they accidentally meet Neri, a young girl with super-human strength, the ability to breathe underwater, and an affinity for communicating with whales. As the series progresses through four seasons, the Bateses (and the audience) learn more about Neri's arrival on Earth, her home planet, and the ecosystem of their own home planet.

Ocean Girl, one of the earliest productions to come out of Jonathan M. Shiff Productions, is creator Jonathan Shiff's first science-fiction program; his name has subsequently become synonymous with children's science-fiction and fantasy television programs, through such shows as Cybergirl and H2O.

Ocean Girl is ecological science fiction, in that it uses the genre of science fiction to explore the consequences of exploiting Earth's resources. For example, as the program progresses, Dr Dianne Bates (mother of protagonists Jason and Brett) shifts from her early role as cetologist to a more active role as environmental protectionist, in response to the increasing threat of building large underwater constructions in the delicate ecosystem around ORCA. Similarly, season four shows the devastating effects of a 'Red Virus' on the oceans of Neri's home world.