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Kathy Balngayngu Marika Kathy Balngayngu Marika i(A127238 works by) (a.k.a. Kathleen Marika)
Gender: Female
Heritage: Aboriginal ; Aboriginal Yolngu ; Aboriginal Gumatj
(Storyteller) assertion
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Works By

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1 14 Bloodland Wayne Blair , Stephen Page , Kathy Balngayngu Marika , 2011 single work drama

'In an expanse of red dust, pounded by the hot Arnhem Land sun, a telegraph pole protrudes from the earth; a symbol of the scar that the modern world has left on an ancient community. This is Cherish's place. This is where she hides away from the real world, speaks to imagined friends and is visited by the ghosts of relatives long dead. On a day like any other the sound of a mobile phone singing out cuts through the thick dusty air, interrupting the young woman's solitude. As she calmly claws for the phone in the dirt, Cherish unearths the body of a dead boy.

Outsider Cherish will be our guide through a community torn in two, divided by moiety. At the centre of the story she will tell us is a young couple: two star-crossed lovers united in their devotion but separated by blood. Theirs is a tale of social dysfunction, black on black conflict and the difficulties of observing traditional lore in a community permeated by western culture.' (Sydney Theatre Company website)

1 A Dreamtime Story about Dhambaliya Kathy Balngayngu Marika (illustrator), Kathy Balngayngu Marika , 1993 single work prose dreaming story
— Appears in: Listen To Our Stories : An Anthology of Writing by Aboriginal and Islander Women 1993; (p. 40)

'Long time ago, way back in Dreamtime, all Yolngu men (Aboriginal men from East Arnhem Land) wanted to go out hunting in a canoe ...'

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