AustLit logo

AustLit

image of person or book cover 6272696384589849949.jpg
This image has been sourced from online.
y separately published work icon The Bride with Red Hair single work   novella   fantasy  
Issue Details: First known date: 2016... 2016 The Bride with Red Hair
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Mei Lee is happy to be a senior accountant in a Hong Kong firm; she has a loving supportive family and good friends. And when her handsome tycoon boss takes a shine to her, it seems that all her dreams are coming true. Then the source of her bright red hair leads to complications that pull her into a conflict between Heaven and Hell that puts her, her family, and all around her at risk...'

Source: Publisher's blurb.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • c
      Australia,
      c
      :
      Kylie Chan ,
      2016 .
      Printed/distributed by Kindle Direct Publishing
      image of person or book cover 6272696384589849949.jpg
      This image has been sourced from online.
      Extent: 132p.p.
      Note/s:
      • Created as part of an M.Phil. in Creative Writing at The University of Queensland.
      • Published: 22nd April 2016
      ISBN: 0994588607, 9780994588609

Works about this Work

The Publishing Ecosystems of Contemporary Australian Genre Fiction Beth Driscoll , Lisa Fletcher , Kim Wilkins , David Carter , 2018 single work
— Appears in: Creative Industries Journal , vol. 11 no. 2 2018; (p. 203-221)

'The cultural and commercial operations of the publishing industry have been dramatically reshaped by digital technologies, yet little is known about how these effects are differentiated across sectors of the industry. This article analyses data about the production of Australian-authored fantasy, romance and crime fiction titles to explore the specific publishing ecosystems of different genres and the roles played by multinational, small press and self-publishing in each. First, we show that there has been across-the-board growth in each genre and for each type of publisher. Second, we argue that multinational publishing activity in these genres has been characterized by broad stability, punctuated by experimentation with genre-specific imprints for romance and fantasy titles. Third, we find that small presses make diverse contributions to genre ecosystems, able to both activate prestige and experiment with formats. Finally, we note the immense growth in self-publishing, particularly in romance, and argue that self-publishing now operates in tandem with traditional publishing to create hybridized publishing ecosystems - with greater potential to transform the traditional publishing model than e-books.' (Publication abstract)

The Publishing Ecosystems of Contemporary Australian Genre Fiction Beth Driscoll , Lisa Fletcher , Kim Wilkins , David Carter , 2018 single work
— Appears in: Creative Industries Journal , vol. 11 no. 2 2018; (p. 203-221)

'The cultural and commercial operations of the publishing industry have been dramatically reshaped by digital technologies, yet little is known about how these effects are differentiated across sectors of the industry. This article analyses data about the production of Australian-authored fantasy, romance and crime fiction titles to explore the specific publishing ecosystems of different genres and the roles played by multinational, small press and self-publishing in each. First, we show that there has been across-the-board growth in each genre and for each type of publisher. Second, we argue that multinational publishing activity in these genres has been characterized by broad stability, punctuated by experimentation with genre-specific imprints for romance and fantasy titles. Third, we find that small presses make diverse contributions to genre ecosystems, able to both activate prestige and experiment with formats. Finally, we note the immense growth in self-publishing, particularly in romance, and argue that self-publishing now operates in tandem with traditional publishing to create hybridized publishing ecosystems - with greater potential to transform the traditional publishing model than e-books.' (Publication abstract)

Last amended 14 Dec 2016 07:36:55
Settings:
  • Hong Kong,
    c
    China,
    c
    East Asia, South and East Asia, Asia,
Newspapers:
    Powered by Trove
    X