AustLit

'In the settler colonial context, family histories can be key places to explore the relations between Indigenous and settler families, past and present. In this paper we examine this use of family history with reference to a historical photographic collection that links our two families. The Thomas Dick Photographic Collection (TDPC) was produced over a ten-year period, from 1910 to 1920, as a collaboration between the amateur photographer Thomas Dick and several Birrpai families. The photographs, reflecting Dick's colonial mindset, were staged as pre-contact and sought to depict Birrpai life of a century earlier. The images are now held in local, national and international collections. The TDPC holds particular familial significance for both Heath and Barnwell, who are respectively descendants of the Bugg-Dungay family (featured in the photographs) and the Dick family (the photographer). Heath is the foremost expert on Dick's Birrpai collection, and has done extensive work; to locate the photographs in inter/national collections; to determine and correctly label the participants and places featured; and to develop a set of cultural protocols for its use in dialogue with a Family Stakeholder Group (FSG) and key collecting institutions. The FSG Protocols provide an indication of the value and use of the images as preferred by descendants. In this paper we write about the role of the photographs as family photographs in both the Bugg-Dungay family and the Dick family, including when we each first saw the photographs and what these initial encounters reveal about how such photographs, when looking at them and beyond them, can be used to both construct and deconstruct settler mythologies of time and history.' (Publication abstract)

'This is the first book to examine how Australian fiction writers draw on family histories to reckon with the nation's colonial past. Located at the intersection of literature, history, and sociology, it explores the relationships between family storytelling, memory, and postcolonial identity. With attention to the political potential of family histories, Reckoning with the Past argues that authors' often autobiographical works enable us to uncover, confront, and revise national mythologies. An important contribution to the emerging global conversation about multidirectional memory and the need to attend to the effects of colonisation, this book will appeal to an interdisciplinary field of scholarly readers. '

Source: Publisher's blurb.

'Historians acknowledge that since the 1970s family history research has driven individuals to confront the silences within Australia’s colonial past, including ‘the convict stain’. However, little attention is given to how the practice has been used by the Stolen Generations to deal with the fracturing impact of ‘protectionist’ social policies on family and life histories. To explore this, I bring the concept of the intergenerational self into dialogue with ‘Paul’s Story’, a short memoir collected in Carmel Bird’s The Stolen Children: Their Stories (1998), and singer/songwriter Archie Roach’s testimony from the ABC Blackout television documentary ‘Best Kept Secret’ (1991). In these cases, the narrative continuity of family lines is severed. Faced with lost origins, the authors must reclaim an intergenerational self retrospectively through research and revision. The paper examines these cases in the context of an emerging focus on relational lives. It demonstrates how people write and tell family histories to rebuild an intergenerational identity in the wake of destructive colonial policies.'  (Publication abstract)