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AbstractHistoryArchive Description
Rebecca’s Diary began as a text written for a 'visual project' and submitted for a City Art Institute theory class in November 1988. Oppen's starting point for the work was the Grimm’s story of Cinderella. Interested in exploring the person, the girl who might have been Cinderella, she asked the question, what would Cinderella have written if she had kept an diary? Proposing that Cinderella is nickname, Oppen has her write her real name in the diary, and hence the title.
Notes
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Four sets of fifteen copies of the Prospectus for Rebecca's Diary (60 individual copies in all) were produced, with each set containing two different etchings.
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Each set includes two coherent works - 'Rebecca’s Diary' and 'A Foreword to Rebecca’s Diary' and comprises lettered wrappers, text and two different hand coloured etchings. Each copy is signed by the artist. The foreword was printed by Nicholas Summers at Catnip Press.
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Art book.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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'Monica Oppen : Hits and Misses 2014'
2014
single work
criticism
— Appears in: Pretext : Creative Books in the Antipodes 2014;In this paper, first presented at the the 2014 Codex Australia 2014, Monica Oppen talks the impilses that drove her make books and the challenges she encountered.
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y
Rebecca's Diary : Working Notes
Redfern
:
Ant Press
,
1990
9371702
1990
single work
criticism
Working notes on the book, A Prospectus for Rebecca's Diary. Includes notes on the colouring of the images
-
'Monica Oppen : Hits and Misses 2014'
2014
single work
criticism
— Appears in: Pretext : Creative Books in the Antipodes 2014;In this paper, first presented at the the 2014 Codex Australia 2014, Monica Oppen talks the impilses that drove her make books and the challenges she encountered.
-
y
Rebecca's Diary : Working Notes
Redfern
:
Ant Press
,
1990
9371702
1990
single work
criticism
Working notes on the book, A Prospectus for Rebecca's Diary. Includes notes on the colouring of the images