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image of person or book cover 1066494375187720665.jpg
Image courtesy of publisher's website.
form y separately published work icon Takeover single work   film/TV  
Issue Details: First known date: 1979... 1979 Takeover
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AbstractHistoryArchive Description

'One of the major works produced by the AIAS Film Unit, this documentary observes the profound effect on an Aboriginal community of political and bureaucratic decisions made far away. Although specific to time and place, the film is timeless and universal in its observations of a conflict between an Indigenous minority and a powerful government.'

'The film presents an insider’s view of events that followed an announcement made without warning on 13 March 1978 that the Queensland state government was taking over control of the Aboriginal community of Aurukun in the north of the State, displacing the Uniting Church which had managed the Aboriginal Reserve for 70 years.'

'At the request of the community, filmmakers David and Judith MacDougall documented the events of the following weeks, as the community marshalled its supporters to resist the takeover, and a stream of lawyers, politicians, Church officials, government advisers and representatives of mainstream media arrived to talk with the Aboriginal Council and the community at large.'

'Ostensibly driven by a desire to access the mineral wealth in the Aurukun area, the state government was resistant to modifying its position, but intervention from the Federal government forced a sequence of compromises, though not always with the community’s knowledge or to their satisfaction.' (Source: Ronin Films website)

Notes

  • Ronin Films wishes to advise Aboriginal and Torres Strait Islander people that this film may contain images and voices of deceased persons.

Publication Details of Only Known VersionEarliest 2 Known Versions of

      1979 .
      image of person or book cover 1066494375187720665.jpg
      Image courtesy of publisher's website.
      Extent: 87 minsp.
      Series: AIATSIS Collection Australian Institute of Aboriginal and Torres Strait Islander Studies , collection

      'The Australian Institute of Aboriginal Studies (later AIATSIS – the Australian Institute of Aboriginal and Torres Strait Islander Studies) was established as a statutory authority in 1964. The Institute quickly established a film unit to act as an archive of filmed material and also to record material of ethnographic and historic significance. Part of this work also involved the preparation of films for public release, and until the early 1990s, the AIAS Film Unit became responsible for some of the most significant works of ethnographic film then produced in Australia. This collection of some thirty significant documentary works will be progressively released by Ronin Films in association with AIATSIS, where possible in re-mastered form and with associated interviews with filmmakers.' (Source: Ronin Films website)
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Works about this Work

form y separately published work icon The MacDougall Tapes Andrew Pike , Mitchell : Ronin Films , 2017 11433482 2017 single work film/TV interview

'These extended conversations with David and Judith MacDougall represent an invaluable archival record and convey a wealth of ideas and information relating to their experiences as a highly influential ethnographic filmmaking team.

'The conversations cover their years with the Film Unit of the Australian Institute of Aboriginal Studies, Canberra, 1975-1987. During this time, the MacDougalls made a series of eleven documentary films, many of them acknowledged world-wide as landmark achievements in ethnographic cinema. These films included TAKEOVER (1979), THE HOUSE-OPENING (1980), THREE HORSEMEN (1982), SUNNY AND THE DARK HORSE (1987) and LINK-UP DIARY (1987). The MacDougalls discuss their approach to filmmaking and the circumstances of making each film. They also reflect on their body of work from the perspective of today, and discuss the work of other filmmakers who worked for the Film Unit, notably Kim McKenzie with films such as WAITING FOR HARRY (1980), and the work of Indigenous filmmakers Wayne Barker and Oomera (Coral) Edwards.' (Publication summary)
form y separately published work icon The MacDougall Tapes Andrew Pike , Mitchell : Ronin Films , 2017 11433482 2017 single work film/TV interview

'These extended conversations with David and Judith MacDougall represent an invaluable archival record and convey a wealth of ideas and information relating to their experiences as a highly influential ethnographic filmmaking team.

'The conversations cover their years with the Film Unit of the Australian Institute of Aboriginal Studies, Canberra, 1975-1987. During this time, the MacDougalls made a series of eleven documentary films, many of them acknowledged world-wide as landmark achievements in ethnographic cinema. These films included TAKEOVER (1979), THE HOUSE-OPENING (1980), THREE HORSEMEN (1982), SUNNY AND THE DARK HORSE (1987) and LINK-UP DIARY (1987). The MacDougalls discuss their approach to filmmaking and the circumstances of making each film. They also reflect on their body of work from the perspective of today, and discuss the work of other filmmakers who worked for the Film Unit, notably Kim McKenzie with films such as WAITING FOR HARRY (1980), and the work of Indigenous filmmakers Wayne Barker and Oomera (Coral) Edwards.' (Publication summary)
VIEW ALL WORKS ABOUT (1)
Last amended 30 Jun 2017 10:37:45
David MacDougall
Judith MacDougall
Subjects:
  • Queensland,
  • Aurukun - Bamaga area, Cape York Peninsula, Queensland,
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