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'First part of a three volume series on Australian film theory and criticism, this book includes a preface by Patrice Petro. It outlines the historical implications and future possibilities of establishing new directions of inquiry for film studies both in Australia and internationally. This three-volume project seeks to provide a map of the local and international flows of Australian film theory and criticism. Volume 1 focuses on 1975-1985, a formative period for the discipline of film studies in Australia. Tracing critical positions, people, and institutions across this influential period, the authors examine a multitude of books and journal articles published in Australia and distributed internationally. At the same time, they offer important insights about the origins of Australian film theory and its relationship to such related disciplines as English, art history, and cultural studies. Ultimately, "Australian Film Theory and Criticism, Volume 1" delineates the historical implications - and reveals the future possibilities - of establishing new directions of inquiry for film studies in Australia and internationally.' (Publication summary)
Notes
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Volume One
Publication Details of Only Known VersionEarliest 2 Known Versions of
Related Works
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y
Australian Film Theory and Criticism : Interviews
Bristol
:
Intellect
,
2014
7976540
2014
selected work
interview
'A three-volume project tracing key critical positions, people, and institutions in Australian film, Australian Film Theory and Criticism interrogates not only the origins of Australian film theory but also its relationships to adjacent disciplines and institutions. The second volume in the series, this book gathers interviews with national and international film theorists and critics to chart the development of different discourses in Australian film studies through the decades. Seeking to examine the position of film theorists and their relationship to film industry practitioners and policy makers, this volume succeeds mightily in reasserting Australian film's place on the international scholarly agenda.' (Publication summary)
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y
Australian Film Theory and Criticism : Documents
Deane Williams
(editor),
Constantine Verevis
(editor),
Bristol
:
Intellect
,
2018
14922304
2018
selected work
criticism
The third part of a three-volume work devoted to mapping the transnational history of Australian film studies, Volume 3: Documents concludes the project by gathering together the documents that were produced during the rise of film studies in Australian academia from 1975 to 1985. Through these sources, we see the development of the particularities of Australian film theory and criticism, its relationship to its international counterparts, the establishment of key positions and the directions in which they develop. Editors Constantine Verevis and Deane Williams here collect key articles, including the works of Paul Willemen, Sam Rohdie, Ross Gibson and Meaghan Morris, among many others. (Intellect)
