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* Contents derived from the
West Bengal,
c
India,c
South Asia,
South and East Asia,
Asia,:Ebong Adhyay
, 2023 version. Please note that other versions/publications may contain different contents. See the Publication Details.- Managing Marginality : The Ambiguous Position of Antigone Kefala, single work criticism (p. 15-47)
- Recalibrating the Margins : Contemporary Asian Australian Writing, single work criticism (p. 48-64)
- Nature Writing and Women Botanical Collectors : The Works of Louisa Meredith, single work criticism (p. 65-84)
- The Shifting Margins in David Malouf’s An Imaginary Life, single work criticism (p. 85-99)
- Negotiating Marginality : Contesting the Western Paradigms with Oodgeroo Noonuccal, single work criticism (p. 100-115)
- Theatre of Resistance : Aboriginality as Difference in Jack Davis’s Kullark, single work criticism (p. 116-130)
- Performance and Cosmopolitanism in Australian Aboriginal Theatre : Mapping Margins and Aboriginality in David Milroy’s Waltzing the Wilarra, single work criticism (p. 131-145)
- Sally Morgan’s My Place : Reading the Australian Aboriginal Women as the Marginalised 'Other', single work criticism (p. 146-160)
- Marginality Begetting More Marginalities : The Curious Case of Australian Bush Ballads, single work criticism (p. 161-176)
- 'Why is it that the heroine could only be white?' : Patrick White’s Eliza Fraser and the (In)visible Machinery of Whiteness, single work criticism (p. 177-191)
- The Margin Writes Back : A Study of Peter Carey’s Jack Maggs, single work criticism (p. 192-201)
- Beyond Mabo : Negotiating Indigenous Sovereignty in Kim Scott’s That Deadman Dance, single work criticism (p. 202-213)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 12 Mar 2024 14:31:35
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