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'Whereas much scholarship still associates migrant fiction in Australia with social or documentary realism, this chapter emphasizes its playful, iconoclastic, and experimental qualities. It questions the conventional long form as a closed, stable narration that relies on summation and style. Instead it turns to short fiction, examining writers such as Tom Cho, Nicholas Jose, and Melanie Cheng who operate as transnational, experimental, and decolonial forces in Australian writing.' (Publication abstract)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 1 Dec 2023 09:14:41
243-257
Beyond the Cosmopolitan : Small Dangerous Fragments
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