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'This chapter considers Helen Garners fiction, assessing the evolution of her work from the scandalous diary-like immediacy of the Monkey Grip (1977) through to her minimalist masterpiece The Children’s Bach (1984). Throughout, it considers the house as a core spatial configuration that changes across Garner’s work.' (Publication abstract)
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 1 Dec 2023 08:49:58
163-177
Helen Garner’s House of Fiction
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