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'Lucy Campbell was nervous. In March, the South Australian screenwriter had travelled to Austin, Texas. Her debut feature was playing at South by Southwest (SXSW), the music and fi lm festival that has launched careers as well as Oscar winners such as Everything Everywhere All at Once. Watching her fi lm with an audience, she tells me, she saw it with fresh eyes. They seemed into it, and she was hanging on their every gasp. Suddenly, it dawned on her: “This audience is kinda scared.”'
(Introduction)
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