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Issue Details: First known date: 2022... 2022 Zines of Rupture : Theorising Migration Studies Using Comics by Racialised Migrants and Refugees
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AbstractHistoryArchive Description

'Much research has been carried out on the discursive dehumanization of non-Anglo Celtic migrants to Australia – especially refugees and asylum seekers. However, this discourse also has an affective dimension that, in Sara Ahmed’s terms, ‘stick’, impressing upon non-white migrants at a corporeal level. Depictions of self and Other in comic zines such as Where Do I Belong? by Silent Army, Villawood: Notes from a Detention Centre by Safdar Ahmed, and The Refugee Art Project’s zine collection clearly demonstrate the ways in which the body is implicated in narratives about migration and asylum. This paper argues that the comic zine medium also allows for ‘something else’ to surface; namely, an excess with an interruptive rhythm. This excess is posited here as a type of ‘diasporic intimacy’—a dystopic and unsuspecting affective force that disrupts the temporal and spatial rhythms of everyday life. By harnessing diasporic intimacies, the comic zines discussed here redeploy sticky and toxic discourses about migration and asylum, creating space for the migrant body to resist and reassemble.' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Continuum : Journal of Media and Cultural Studies vol. 36 no. 6 2022 26607477 2022 periodical issue 'This special section draws on research being carried out on a significant though largely hidden archive of multicultural writing held at Deakin University – the Australian Multicultural Collection (AMC)—established in 1991 by literary and cultural theorist Sneja Gunew. The goal of the AMC was to support research of multicultural groups with connections to Australia, with an emphasis on diasporic writers, artists, and interdisciplinary creatives living in Australia at the time, forming ‘the first comprehensive collection of multicultural literature in Australia’ (Gunew, Post 133). The AMC was maintained for approximately ten years via the Australian Multicultural Bicentennial Foundation. The intention was for the archive to be continually updated; however, after Gunew left Australia for Canada in the early twenty-first century, engagement with the archive dwindled, to the extent that, when Gunew attempted to donate books from her personal collection upon her retirement, she was unable to locate its whereabouts.' (Archives and autographics: reanimating diaspora in the Transpacific : Introduction) 2022 pg. 936-953
Last amended 2 Aug 2023 08:41:14
936-953 Zines of Rupture : Theorising Migration Studies Using Comics by Racialised Migrants and Refugeessmall AustLit logo Continuum : Journal of Media and Cultural Studies
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