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'There’s this thing you hear in music – or, if I’m trying for precision, in the silences in music. It’s a reaching, a stretching. There’s a suspended wonder to it; a lazy sensuality, sometimes. It’s probably in lots of places if you know what to listen for, but I hear it most in classical music, since that is where I learned to listen, to count, and to keep time. And I hear it in Simon Tedeschi’s intimate book of fragments, Fugitive.' (Introduction)
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Last amended 12 Dec 2022 10:43:29
https://sydneyreviewofbooks.com/review/simon-tedeschi-fugitive/
‘Tonality Is a Ghost’
Sydney Review of Books