AustLit

'A novel about the relationship between life and art, and between language and the inner world - how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter.

'A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafes and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother's family in Hong Kong, and the daughter's own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken?

'Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them.'

Source: Publisher's blurb.

'Where have I come from? From the land of rivers, the land of waterfalls, the land of ancient chants, the land of mountains...

'Since 2013, Kurdish journalist Behrouz Boochani has been held in the Manus Island offshore processing centre.

'People would run to the mountains to escape the warplanes and found asylum within their chestnut forests...

'This book is the result. Laboriously tapped out on a mobile phone and translated from the Farsi. It is a voice of witness, an act of survival. A lyric first-hand account. A cry of resistance. A vivid portrait through five years of incarceration and exile.

'Do Kurds have any friends other than the mountains? '  (Publication summary)