AustLit

'Lyn Innes, Emeritus Professor of Postcolonial Literatures at the University of Kent, is the great-granddaughter of the last Nawab of Bengal, Mansour Ali Khan. In this family memoir, she vividly brings the period to life through the stories of her antecedents, using both family history and source materials from the time, while giving a fascinating insight into the British Raj in India from the perspective of a local prince who was mistreated, and ultimately deposed, by the British authorities.' (Introduction)

'In the opening scene of Sarah Brennan’s The Marvellous Adventures of Maggie and Methuselah, Maggie is arguing with her mother about having to attend a “silly reception” at Government House. But her mother, an Australian lawyer at one of Hong Kong’s top firms, is determined that Maggie will go to Family Fun Day and with the chapter titled “In which Maggie and Mum clash and Mum wins (as usual)”, the reader quickly realizes what the end result might be.' (Introduction)

'Australian broadcast journalist Mimi Kwa comes from a lineage going back to imperial Beijing. In her new family memoir, House of Kwa, she tells the remarkable story that brought her father’s family to Southern China, Hong Kong, and Western Australia.' (Introduction)

'When 16-year-old Karuna becomes pregnant, Karuna’s mother decides to lock her daughter inside their fourteenth-story public housing flat as a means to keep her safe. Karuna, who has spent years trying to escape her mother, now finds herself with her mother as her only company.'  (Introduction)

'Well before ping-pong diplomacy in the early 1970s, there was acrobat diplomacy. As a result, many people around the world became familiar with Chinese acrobats, performers that did more than just walk a trapeze or juggle on stilts. Chinese acrobats brought circus performing to a new level, for instance by balancing multiple stacks of cups and saucers on the top of long sticks—often from two hands and a foot. In Jingjing Xue’s memoir, Shanghai Acrobat, the author not only tells of training with the Shanghai acrobats from a young age, but also shows how these troupes became the face of China, starting in developing countries and eventually reaching the west.' (Introduction)