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Gaïa Gaïa i(21073865 works by) (Organisation) assertion
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3 11 y separately published work icon The Rain Heron Robbie Arnott , ( trans. Laure Manceau with title L'oiseau de pluie ) Montfort-en-Chalosse : Gaïa , 2022 17948922 2020 single work novel

'Soldiers have come to the village.
Ren looked up, avoiding Barlow’s words, resting her eyes on the pines that crowded the sky, swamp-green, thick, heavy with resin that stuck to skin and cleared throats, nostrils, eyes.
Barlow was sitting on a large rock. When she didn’t answer, he kept talking.
They’re after something—they won’t say what. But it’s up here. On the mountain.

'REN lives alone on the remote frontier of a country devastated by a coup. High on the forested slopes, she survives by hunting and trading—and forgetting. But when a young soldier comes to the mountains in search of a local myth, Ren is inexorably drawn into her impossible mission.

'As their lives entwine, unravel and erupt—as myths merge with reality—both Ren and the soldier are forced to confront what they regret, what they love, and what they fear.'

Source: Publisher's blurb.

5 30 y separately published work icon The Yield Tara June Winch , ( trans. Jessica Shapiro with title La récolte ) Montfort-en-Chalosse : Gaïa , 2020 15449866 2019 single work novel

'After a decade in Europe August Gondiwindi returns to Australia for the funeral of her much-loved grandfather, Albert, at Prosperous House, her only real home and also a place of great grief and devastation.

'Leading up to his death Poppy Gondiwindi has been compiling a dictionary of the language he was forbidden from speaking after being sent to Prosperous House as a child. Poppy was the family storyteller and August is desperate to find the precious book that he had spent his last energies compiling.

'The Yield also tells the story of Reverend Greenleaf, who recalls founding the first mission at Prosperous House and recording the language of the first residents, before being interred as an enemy of the people, being German, during the First World War.

'The Yield, in exquisite prose, carefully and delicately wrestles with questions of environmental degradation, pre-white contact agriculture, theft of language and culture, water, religion and consumption within the realm of a family mourning the death of a beloved man.'

Source: Publisher's blurb.

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