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'This article presents a study of a model of textual production that situates genre fiction, specifically fantasy fiction, within its community and industry contexts. I argue that Australian fantasy ‘fandom’ operates in some ways like a research and development space for the literature it consumes, through allowing, enabling and enthusiastically supporting – both ethically and materially – a thriving small press culture. Fandom is known for its passionate investments in texts, and those investments are rarely passive. The fantasy genre community is already oriented towards prosumption, and small presses afford specific opportunities for writers to work in specific ways, enriching and developing their individual craft and the genre as a whole.' (Publication abstract)
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Last amended 31 Jan 2022 10:28:11
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Subjects:
- Vigil 2016 single work novel
- The Girl with No Hands and Other Tales 2010 selected work short story
- Midnight and Moonshine 2012 selected work short story
- Siren Beat 2009 single work novella
- Roadkill 2009 single work novella
- Bitter Greens 2012 single work novel
- Cranky Ladies of History 2015 anthology short story
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