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Romantic Hangover in Australian Poetry single work   criticism  
Issue Details: First known date: 2016... 2016 Romantic Hangover in Australian Poetry
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'Atsuko Kouda's remarks on landscape in Australian poetry are particularly interesting because they provide us with an 'outside; view of how the land is perceived by Australian poets. Kouda uses as models Douglas Stewart and Judith Wright. In the first case, Stewart displays a correspondence between himself and the landscape , and a sense of the perfection of creation, in the light of this, the poet can at times 'escape' into a symbolic perfection away from the unpleasant aspects of social life. Kouda concludes that Stewart's poems 'take no further new meanings than we find in the traditional ballads.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Poetic Eye : Occasional Writings 1982-2012 Michael Sharkey , Netherlands : Brill , 2016 10632316 2016 selected work criticism

    'This volume contains a selection of the Australian poet Michael Sharkey’s uncollected essays and occasional writings on poetics and poets, chiefly Australian and New Zealand. Reviews and conversations with other poets highlight Sharkey’s concern with preserving and interrogating cultural memory and his engagement with the practice and championing of poetry. Poets discussed range from Lord Byron to colonial-era and early twentieth-century poets (Francis Adams, David McKee Wright, and Zora Cross), underrepresented Australian women poets of World War I, traditionalists and experimentalists, including several ‘New Australian Poetry’ activists of the 1970s, and contemporary Australian and New Zealand poets. Writings on poetics address form and tradition, the teaching and reception of poetry, and canon-formation. The collection is culled from commissioned and occasional contributions to anthologies of practical poetics, journals devoted to literary and cultural history and book reviewing, as well as newspaper and small-magazine features from the 1980s to the present. The writing reflects Sharkey’s poetic practice and pedagogy relating to the teaching of literature, rhetorical analysis, cultural studies, and writing in universities'.

    Source: Publisher's blurb.

    Netherlands : Brill , 2016
    pg. 3-8
Last amended 1 May 2020 04:25:48
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