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Now I Am Six single work   prose  
Issue Details: First known date: 2019... 2019 Now I Am Six
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AbstractHistoryArchive Description

'I was most comfortable in my skin on Sundays. Like tea leaves steeping in a warmed pot, Sundays were infused with Yiddish song and verse. On that day of the week, I learned to read and write the alef-beys. Huddled with the other children around a communal table, our elbows almost touching, I paid close attention to my teacher as she crafted perfectly formed letters with smooth yellow chalk on the blackboard. Holding a freshly sharpened lead pencil in my fist, I tried to emulate her skill, laboriously entering each letter, aleph, beys, gimel, daled, into a pristine heft, an exercise book given to me on the first day of Sunday school. After completing the task, our lererin (teacher), Mirele Kohn, would guide our pronunciation: ‘Noch amol, un noch amol,’ again, and once again, she intoned. We repeated the phonic sounds over and over. Each letter seemed to carry its own melody, its own cadence. On my page, they reminded me of black quavers dancing from right to left across thin blue lines.' (Introduction)

Notes

  • Epigraph:

    sorrow magnifies through the generations, each human’s part heaped upon the next, in this way our griefs are joined. - Anne Michaels, ‘The Hooded Hawk’

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Westerly vol. 64 no. 2 2019 18372829 2019 periodical issue 'This issue of Westerly, while unthemed, is as always the product of a system of order. It is curated, edited, arranged according to a sequence of publication. It follows certain methods, and is set out according to prevailing structures. Each issue exists within the context of what has come before, and what might come in the future. Even within each text, language has its own orders and forms, grammar determines expression. The issue is also testament to the individual—the function of the subjective within a system. With this issue, we are excited to introduce Paul Munden as our new Poetry Editor, taking forward the legacy of Cassandra Atherton’s work over the last four years. We have been very grateful to Cassandra, and we are thrilled that she will continue to contribute to our team, joining Lucy Dougan in the role of Commissions Editor. We are equally happy to be working now with Paul in the selection and curation of Westerly’s poetry offerings. On this occasion, and in this selection, our attention has been drawn to questions of order. Submissions dictate their own ordering of the world: the order of things rising to meet us, occupying our minds and bodies. (Catherine Noske and Josephine Taylor, Editorial introduction) 2019 pg. 169-176
Last amended 3 Dec 2019 09:01:50
Subjects:
  • St Kilda, Caulfield - St Kilda area, Melbourne - Inner South, Melbourne, Victoria,
  • Yiddish language
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