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'We were just a little surprised when the Australia Council said yes. But then a year later—as you were—they said no.
'Three years back, when the council redrew the map of arts funding, Meanjin lost its rolling three-year key organisation grant, a pattern that had allowed if not luxury then a degree of certainty. Money was the root of it all: the council’s budget had been gutted and cuts had to be made. Whatever discomforting ripples were felt through opera, ballet and theatre companies had become a toxic trickle by the time the tide of change made its way down the funding food chain to bodies whose business was literature.' (Jonathan Green, Introduction)