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Issue Details: First known date: 2018... 2018 Everytime I See You Falling : Melbourne, Postmodernism and How Today’s Politics Were Born in the 1980s
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AbstractHistoryArchive Description

'We were … well, who were we? It was a floating group of 25 or so leftists, radical leftists, ultra-leftists from around Melbourne Uni, people dressed in black, a style still univocal and of a post-punk form: hair close-cropped around the edges, but piled high, boys wearing black jeans and black or dark-blue shirts, buttoned to the neck, girls in a near-compulsory style for a few years: black tights, black skivvy, a highly patterned, op-shop–derived, short skirt over the tights, and a haircut in which one side was shaved, and the other half grew long to the shoulder, bobbed. It appears to have returned a few years ago as a style—in our era, one among a hundred—but for a couple of years it was semi-compulsory, at least among our gang. Then it was the only game in town. Gender fluidity, which had been around in the seventies, had retreated, even with the success of The Cure. We were looking to … well that was the question.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Meanjin Slave to the Algorithm vol. 77 no. 4 Summer 2018 15360812 2018 periodical issue

    'Meanjin did not publish a piece of fiction until 1943 - 'we still strive to talk poetry', founding editor Clem Christesen observed, perhaps tellingly, in the first Meanjin of December 1940.' (Jonathan Green Editorial introduction)

    pg. 90-102
Last amended 24 Feb 2021 15:34:29
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  • Melbourne, Victoria,
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