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Martu Mediations Keeping VR Real single work   interview  
Issue Details: First known date: 2018... 2018 Martu Mediations Keeping VR Real
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AbstractHistoryArchive Description

'Martu filmmaker and artist Curtis Taylor talks with Lisa Stefanoff about his work in the production and international promotion of Lynette Wallworth’s Virtual Reality Film Collisions, a project that tells the story of his grandfather Nyarri Nyarri Morgan’s experience of the British atomic bomb tests at Maralinga and ongoing care for his country. Curtis reflects on the value of different art and media forms for conveying Martu stories, enduring traditional knowledge and contemporary concerns, and discusses his own cinematic reflections on the powers, risks and roles of new media in Martu communities.'  (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Axon : Creative Explorations Turning Points : Narratives, Health, and Speaking the Self vol. 8 no. 2 November Jen Webb (editor), Donna Lee Brien (editor), Cassandra Atherton (editor), 2018 15077590 2018 periodical issue

    'The contributions in this issue have been gathered together from various sources including a number of events addressing the themes of this issue. Primarily, these were the Turning Point: Creative Arts and Trauma symposium (University of Canberra, 7 June 2017), and the Narratives of Health and Wellbeing Research Conference (CQUniversity, Noosa campus, 26–27 October 2017). In addition, a series of interviews generated from the ARC-funded project, Understanding Creative Excellence: A Case Study in Poetry (DP130100402) sparked the idea of recruiting more conversations between creative practitioners working in a range of art practices: poetry, prose fiction, film and visual art in particular. Together, these contributions comprise a fascinating, revealing and sometimes provocative collection.' (Editorial introduction)

         2018
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Last amended 13 Nov 2018 09:08:47
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