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Publication Details of Only Known VersionEarliest 2 Known Versions of
Other Formats
- Also sound recording.
- Dyslexic edition.
- Large print.
Works about this Work
-
Shane Warne’s Limelight
2022
single work
column
— Appears in: Eureka Street , 27 February vol. 32 no. 4 2022;'It was once said of T. E. Lawrence that he had a tendency to back into the limelight. With the late Shane Warne, arguably the finest slow bowler cricket has ever produced, it edged towards him. His debut appearance against India in the 1991-2 home series in Australia was not auspicious. Paunchy, exuding a vernacular Australian coarseness, and initially wayward, he received an object lesson from India’s Ravi Shastri and the youthful Sachin Tendulkar at the Sydney Cricket Ground. But there were already those incipient signs: the slovenly look, the ear piercings, the peroxide hair.' (Introduction)
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Fat Bastard
2019
single work
review
— Appears in: London Review of Books , 15 August vol. 41 no. 6 2019; (p. 33-34)'When the Australian cricketers Steve Smith, David Warner and Cameron Bancroft were exposed tampering with the ball during last year’s test series in South Africa there was, along with all the faux outrage, some genuine incredulity. Why did they take such an insane risk? The subterfuge was so cack-handed – rubbing the ball with lurid yellow sandpaper, perfectly suited to be picked up by the TV cameras – and the potential rewards so slight that they seemed to be putting their careers on the line for next to nothing. Confronted with the filmed evidence, Smith confessed straightaway. As conspiracies go this one barely got to first base, since almost no thought had been given to keeping it secret. They can’t have wanted to be caught. Each of the three culprits looked distraught in the aftermath. But it does appear that they didn’t think getting caught would matter much.' (Introduction)
-
Fat Bastard
2019
single work
review
— Appears in: London Review of Books , 15 August vol. 41 no. 6 2019; (p. 33-34)'When the Australian cricketers Steve Smith, David Warner and Cameron Bancroft were exposed tampering with the ball during last year’s test series in South Africa there was, along with all the faux outrage, some genuine incredulity. Why did they take such an insane risk? The subterfuge was so cack-handed – rubbing the ball with lurid yellow sandpaper, perfectly suited to be picked up by the TV cameras – and the potential rewards so slight that they seemed to be putting their careers on the line for next to nothing. Confronted with the filmed evidence, Smith confessed straightaway. As conspiracies go this one barely got to first base, since almost no thought had been given to keeping it secret. They can’t have wanted to be caught. Each of the three culprits looked distraught in the aftermath. But it does appear that they didn’t think getting caught would matter much.' (Introduction)
-
Shane Warne’s Limelight
2022
single work
column
— Appears in: Eureka Street , 27 February vol. 32 no. 4 2022;'It was once said of T. E. Lawrence that he had a tendency to back into the limelight. With the late Shane Warne, arguably the finest slow bowler cricket has ever produced, it edged towards him. His debut appearance against India in the 1991-2 home series in Australia was not auspicious. Paunchy, exuding a vernacular Australian coarseness, and initially wayward, he received an object lesson from India’s Ravi Shastri and the youthful Sachin Tendulkar at the Sydney Cricket Ground. But there were already those incipient signs: the slovenly look, the ear piercings, the peroxide hair.' (Introduction)