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Issue Details: First known date: 2018... 2018 A Review of Young People and the Arts : An Agenda for Change
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'During her seventeen years as Artistic Director and CEO of Polyglot Theatre, Sue Giles has led significant shifts in Polyglot’s creative practice. As Vice-President of ASSITEJ, she has been a remarkable advocate for young audiences. Giles’ Platform Paper A Review of Young People and the Arts: An Agenda for Change clearly articulates recent developments in theatre-making by and for young people and children. Her survey encompasses the broad range of practices within this field, including youth arts, theatre for young audiences, and work made by professional contemporary artists with children and young people for adult audiences.'  (Introduction)

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  • Appears in:
    y separately published work icon Australasian Drama Studies no. 72 April 2018 14171521 2018 periodical issue

    '‘I’ve been invited to edit the Australasian Drama Studies journal.’

    ‘Great! How does it rank?’

    'The changing of the guard in the editorship of this journal offers the opportunity to consider its mission, its form, its value and its position in an increasingly challenging and stringent research environment. Here, outgoing editors Julian Meyrick and Meredith Rogers, and incoming editor Yoni Prior, offer thoughts about the past, present and future of Australasian Drama Studies in a moment of transition: between editors; between past and present locations; between print and digital publication; and between positions in the rankings game.   In 1992 I attended my first ADSA conference, at Wollongong University. By then the Association was over ten years old. As a beginner in the academy, I felt I was joining a robust community of scholars with hefty credentials in the history of theatre, textual analysis and the still emerging field of performance studies. But alongside the evident depth and generosity of the scholarship, there was also a sociability and playfulness not always found among researchers, as well as a sense of tradition and continuity so relatively recently established. There were intriguing rumours of fabled events at past conferences, including the existence of a photograph of massed nude theatre scholars on a Western Australian beach, though the evidence has never been sighted by this researcher.' (Rick, Juli Anmey; Prior, Yoni and Rogers, Meredith. Editorial)

    2018
    pg. 278-284
Last amended 16 Jul 2018 11:45:52
278-284 A Review of Young People and the Arts : An Agenda for Changesmall AustLit logo Australasian Drama Studies
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