AustLit

'A fifteen-year-old girl has gone missing after a party in the middle of the night. The following morning her boyfriend is found brutally murdered in his home. Was the girl responsible for the murder, or is she also a victim of the killer? But who would want two teenagers dead?

The aftermath of a personal tragedy finds police detective Gemma Woodstock in the coastal town of Fairhaven with her son Ben in tow. She has begged to be part of a murder investigation so she can bury herself in work rather than taking the time to grieve and figure out how to handle the next stage of her life - she now has serious family responsibilities she can no longer avoid. But Gemma also has ghosts she must lay to rest.

Gemma searches for answers, while navigating her son's grief and trying to overcome the hostility of her new colleagues. As the mystery deepens and old tensions and secrets come to light, Gemma is increasingly haunted by a similar missing persons case she worked on not long before. A case that ended in tragedy and made her question her instincts as a cop. Can she trust herself again?'

Source: Publisher's blurb.

'There were a few minutes when I was alone with her in the autopsy room. I felt wild. Absent. Before I could stop myself I was leaning close to her, telling her everything. The words draining out of me as she lay there. Her long damp hair hanging off the back of the steel table. Glassy eyes fixed blindly on the ceiling. She was still so beautiful, even in death.

'Our secrets circled madly around the bright white room that morning. Rocking back and forth on my heels as I stood next to her, I knew how far in I was again, how comprehensively her death could undo me. I looked at Rosalind Ryan properly for the last time before breathing deeply, readying myself, letting her pull me back into her world, and I sank down, further and further, until I was completely, utterly under.

'A beautiful young teacher has been murdered, her body found in the lake, strewn with red roses. Local policewoman Detective Sergeant Gemma Woodstock pushes to be assigned to the case, concealing the fact that she knew the murdered woman in high school years before.

'But that's not all Gemma's trying to hide. As the investigation digs deeper into the victim's past, other secrets threaten to come to light, secrets that were supposed to remain buried. The lake holds the key to solving the murder, but it also has the power to drag Gemma down into its dark depths.

'The Dark Lake is an addictive crime thriller, a mesmerising account of one woman's descent into deceit and madness, and a stunning debut that is already causing a stir around the world.'

Source: Publisher's blurb.

'She hears her own thick voice deep inside her ears when she says, 'I need to know where I am.' The man stands there, tall and narrow, hand still on the doorknob, surprised. He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'

'Two women awaken from a drugged sleep to find themselves imprisoned in a broken-down property in the middle of a desert. Strangers to each other, they have no idea where they are or how they came to be there with eight other girls, forced to wear strange uniforms, their heads shaved, guarded by two inept yet vicious armed jailers and a 'nurse'. The girls all have something in common, but what is it? What crime has brought them here from the city? Who is the mysterious security company responsible for this desolate place with its brutal rules, its total isolation from the contemporary world? Doing hard labour under a sweltering sun, the prisoners soon learn what links them: in each girl's past is a sexual scandal with a powerful man. They pray for rescue - but when the food starts running out it becomes clear that the jailers have also become the jailed. The girls can only rescue themselves.

'The Natural Way of Things is a gripping, starkly imaginative exploration of contemporary misogyny and corporate control, and of what it means to hunt and be hunted. Most of all, it is the story of two friends, their sisterly love and courage.

'With extraordinary echoes of The Handmaid's Tale and Lord of the Flies, The Natural Way of Things is a compulsively readable, scarifying and deeply moving contemporary novel. It confirms Charlotte Wood's position as one of our most thoughtful, provocative and fearless truth-tellers, as she unflinchingly reveals us and our world to ourselves.' (Publication summary)