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Issue Details: First known date: 2017... 2017 Renegotiating Nature : Writing the Post-Romantic Australian City
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'Nature writers of the Romantic movement responded to the exploitation of natural resources and loss of untamed nature in an age of technological innovation. This legacy of Romanticism pervades contemporary writings about nature and place. However, ideas advanced through Romantic writings of ‘nature as a redemptive force’ and the ideological separation of nature and culture remain problematic (Adam 1998). If one does not consider this legacy and question inherited conventions, myths about nature are likely to be reinforced. In this paper, I explore some of Romanticism’s legacies for nature writing and how contemporary writers draw on and resist the established conventions. I argue that Australian cities provide sites of resistance, where assumptions of Romanticism might be addressed by writers. Cities are places not traditionally associated with nature writing and places where nature/culture relationships might be re-imagined, complicating notions of place, nature and the urban to arrive at new post-Romantic ways of writing nature.' (Publication abstract)

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  • Appears in:
    y separately published work icon TEXT Special Issue Website Series Romanticism and Contemporary Australian Writing : Legacies and Resistances no. 41 October 2017 12933044 2017 periodical issue

    'Late eighteenth-century and early nineteenth-century literary and artistic conceptions may seem far removed from the complex, global materialism that characterises contemporary culture, yet many ideas associated with historical Romanticism continue to influence the study and practice of creative writing throughout the world. This is partly because of the power and diversity of the Romantic legacy – so many fine writers are associated with Romanticism – and partly because Romanticism continues to inform the contemporary zeitgeist in a variety of complex ways. J.M. Fitzgerald contends that one of Romanticism’s best known works, William Wordsworth’s The Prelude ushered in the idea ‘that each individual constructs themselves … and that each individual’s story is his or her own unique[ly]’ (2002: 101). This fundamental and far-reaching idea of the (more-or-less) separate self remains with us, however much it may have been reinflected by postmodernity.' (Editorial introduction)

    2017
Last amended 21 Feb 2018 10:29:09
http://www.textjournal.com.au/speciss/issue41/Bayes.pdf Renegotiating Nature : Writing the Post-Romantic Australian Citysmall AustLit logo TEXT Special Issue Website Series
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