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Issue Details: First known date: 2017... 2017 The Critic in the Episode 'Freedom'
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'At a certain point in life, it becomes very hard to work in theatre and remain impartial to aesthetics. The Critic watched Revolt. She Said. Revolt Again. at the Malthouse feeling very personally aggrieved by its failures. Janice Mueller’s direction drew deliberately and consciously from the arsenal of directorial gestures that were specific to central and northern-western European postdramatic theatre between 2000 and 2007, to the point where it could have been a painstaking historical reproduction, had it been intentionally referenced.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Lifted Brow vol. 36 December 2017 12336720 2017 periodical issue

    'Here’s a situation you might’ve found yourself in: you go out for dinner with a group of friends and, before ordering, decide the bill will be split equally. Were you alone, or paying only for what you yourself ate, you’d probably order the least expensive option available (within reason), but what you really want to order is about ten dollars more than the item you’d pick if you were solely responsible for footing the bill.' (Editorial)

    2017
    pg. 15-18
Last amended 1 Feb 2018 12:27:35
15-18 The Critic in the Episode 'Freedom'small AustLit logo The Lifted Brow
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