AustLit

'At a certain point in life, it becomes very hard to work in theatre and remain impartial to aesthetics. The Critic watched Revolt. She Said. Revolt Again. at the Malthouse feeling very personally aggrieved by its failures. Janice Mueller’s direction drew deliberately and consciously from the arsenal of directorial gestures that were specific to central and northern-western European postdramatic theatre between 2000 and 2007, to the point where it could have been a painstaking historical reproduction, had it been intentionally referenced.' (Introduction)