AustLit logo
Ain't No D in the DMZ single work   essay  
Issue Details: First known date: 2017... 2017 Ain't No D in the DMZ
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'I'm on a bus headed for the DMZ. demilitarised zone. The Cold-War buffer between North and South Korea. It's four kilometres wide and has two things in abundance: military hardware and unmolested wildlife. Or somewhat unmolested wildlife. I once met a writer named Kim Young-ha who grew up just south of the DMZ. He'd be drifting off to sleep and in the stillness, every now and then, he'd hear this whumpf. A deer hitting a landmine. Actually, three things flourish in the DMZ. Military hardware, wildlife, and tourists. I'm here for work, minding a bunch of touring writers, and it's our day off. On an idle whim we go to a low-ceilinged cubicle in a plush Seoul hotel where we flash our passports and for $75 each are driven to the no-man's land between two warring nations. Wearing visitor's badges. What kind of batshit scheme is this? There are two million soldiers along the border with just a rusty ceasefire keeping them apart. South Korea's proud and stubborn. North Korea is demonstrably unstable, like my best friend in high school who collected knives and lived with his racist foster grandmother and burgled houses on his lunch break. The two Koreas have firefights on a semi-regular basis. Tourist heaven. Bus 'em in.'  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Best of The Lifted Brow Volume Two Alexander Bennetts (editor), Melbourne : The Lifted Brow , 2017 12162033 2017 anthology essay biography autobiography prose poetry

    'The Best of The Lifted Brow: Volume Two celebrates five more years of the most idiosyncratic literary journal from Australia. The anthology includes essays on queer life, Aboriginal history, and the adult industry, as well as fiction that rewrites the Australian literary canon and poetry from some of the world’s best.

    'Volume Two  features distinguished names from Australia and the world, such as Fiona Wright, Eileen Myles, Paola Balla, Peter Polites, Margo Lanagan, Upulie Divisekera, Darren Hanlon, Ryan O’Neill, and Margaret Atwood.

    'It also features the winner of the   inaugural Prize for Experimental Nonfiction, several acclaimed longform essays, plus writing from Brow Books authors Briohny Doyle (The Island Will Sink, 2016) and Shaun Prescott (The Town, 2017).

    'This book is a perfect entry-point into the most interesting elements of Australia’s current literary culture, Volume Twois diverse, exciting, and isn’t afraid to ask the hard questions –  an eclectic and significant collection that captures the sharp sense of humour and experimental sensibility for which the magazine is best known.

    'Volume Two is a follow-up to The Best of The Lifted Brow. Volume One  (2013) which collected the best work from the first five years of The Lifted Brow magazine.'  (Publication summary)

    Melbourne : The Lifted Brow , 2017
Last amended 31 Oct 2017 09:12:20
Ain't No D in the DMZsmall AustLit logo
Subjects:
  • Korea, East Asia, South and East Asia, Asia,
Newspapers:
    Powered by Trove
    X