AustLit

Collins, Felicity., et al. Australian Cinema after Mabo. Cambridge, U.K. ; New York, Cambridge University Press, 2004.

Couzens, Andrew James. “Cinematic Visions of Australian Colonial Authority in Captain Thunderbolt (1953), Robbery Under Arms (1957) and Eureka Stockade (1949).” Studies in Australasian Cinema, 2016, pp. 1–13.

Hirst, John. “An Oddity from the Start: Convicts and National Character.” The Monthly, July 2008, pp. 36–42.

Johinke, Rebecca. “Not Quite Mad Max: Brian Trenchard-Smith’s Dead End Drive-In.” Studies in Australasian Cinema, vol. 3, no. 3, 2009, pp. 309–320.

Kroenert, Tim. “Crabs, Cars and Peter Carey.” Eureka Street, vol. 18, no. 25, 2008, pp. 35–36.

McGregor, Andrew. Film Criticism as Cultural Fantasy the Perpetual French Discovery of Australian Cinema. Bern ; New York, Peter Lang, 2010.

O'Regan, Tom. Australian National Cinema. London, Routledge, 1996.

Routt, William D. “More Australian than Aristotelian: The Australian Bushranger Film, 1904-1914.” Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema, vol. 18, 2002.

Sargeant, Jack, et al. “Bloodshed down under: Mad Dog Morgan and The Proposition.” Metro, no. 161, 2009, pp. 100–103.

Verevis, Constantine. “Mad Dog Morgan.” Metro Magazine: Media &Amp; Education Magazine, no. 164, 2010, pp. 80–88.